(for my sisters)
I still don’t know how he knew 
I was running. My mouth was open, 
or those boys were barking that loud; 
not that I hadn’t been chased 
by dogs. There’s a moment when 
you can’t tell from which angle 
it’s coming, and the air is a red drum, 
and the trees lean away from you, 
and the ground is wet.     Lonnie drove 
truck nights, and grew strawberries 
in our backyard, which were small, 
but sweet. You could taste his hands 
in the dirt, which the mouth learns 
to read as green and sweet. My mother 
made him liver and onions; we ate fish 
Fridays and I wasn’t allowed milk. He’s why 
I like my eggs runny. I still don’t understand 
anything about engines. I can’t remember 
why those boys were after me. Maybe 
it makes sense why a Rottweiler 
would break a fence.      Lonnie stood 
with his shotgun out front. Sometimes 
he wouldn’t come home, or he’d walk 
into the house with his shirt bloody. 
When we left, my mother didn’t want 
money. Not that we would have gone, 
but that other woman didn’t even invite us 
to the funeral. Man, I bet Yvette’s children 
have children. Lord knows what’s happened 
to Chrissy now that she’s too old to dance. 
Copyright © 2020 by Amaud Jamaul Johnson. Originally published in Poem-a-Day on February 24, 2020 by the Academy of American Poets.
You and your friend stood  
on the corner of the liquor store 
as I left Champa Garden,  
takeout in hand, on the phone  
with Ashley who said,  
That was your tough voice. 
I never heard your tough voice before.  
I gave you boys a quick nod,  
walked E 21st past dark houses.  
Before I could reach the lights  
on Park, you criss-crossed  
your hands around me, 
like a friend and I’d hoped  
that you were Seng,  
the boy I’d kissed on First Friday  
in October. He paid for my lunch  
at that restaurant, split the leftovers.  
But that was a long time ago  
and we hadn’t spoken since,  
so I dropped to my knees  
to loosen myself from your grip,  
my back to the ground, I kicked  
and screamed but nobody  
in the neighborhood heard me,  
only Ashley on the other line,  
in Birmingham, where they say  
How are you? to strangers  
not what I said in my tough voice 
but what I last texted Seng,  
no response. You didn’t get on top,  
you hovered. My elbows banged  
the sidewalk. I threw  
the takeout at you and saw  
your face. Young. More scared  
of me than I was of you.  
Hands on my ankles, I thought  
you’d take me or rape me.  
Instead you acted like a man  
who slipped out of my bed 
and promised to call:  
You said nothing.  
Not even what you wanted. 
Copyright © 2020 by Monica Sok. Originally published in Poem-a-Day on February 20, 2020 by the Academy of American Poets.
I lie here thinking of you:—
the stain of love
is upon the world!
Yellow, yellow, yellow
it eats into the leaves,
smears with saffron
the horned branches that lean
heavily
against a smooth purple sky!
There is no light
only a honey-thick stain
that drips from leaf to leaf
and limb to limb
spoiling the colors
of the whole world—
you far off there under
the wine-red selvage of the west!
From A Books of Poems: Al Que Quiere! (The Four Seas Company, 1917).
Down in a green and shady bed A modest violet grew; Its stalk was bent, it hung its head, As if to hide from view. And yet it was a lovely flower, Its colors bright and fair; It might have graced a rosy bower, Instead of hiding there. Yet there it was content to bloom, In modest tints arrayed; And there diffused a sweet perfume, Within the silent shade. Then let me to the valley go, This pretty flower to see; That I may also learn to grow In sweet humility.
This poem is in the public domain.