for Maria

Sitting across the table from you

I think back to when our friendship

came down from the mountains.

It was a cold day and the miners

had not left for work.

 

You break a cookie in half like bread

and this sharing is what we both now need.

That which breaks into crumbs are memories.

Your gray hair cut short and you ask if I notice.

 

How can I tell you that Bolivia will always be

beautiful and everything I notice is you

and yes is you. Our napkins folded in our hands.

Folded as if our meeting now is prayer.

 

Did I ever tell you that your eyes are a map

and I would lose myself if you ever turned away

Copyright © 2022 by E. Ethelbert Miller. Originally published in Poem-a-Day on February 14, 2022, by the Academy of American Poets.

translated from the Spanish by Ursula K. Le Guin

   Life of my life, what you loved I sing.
If you're near, if you’re listening,
remembering earth, in the evening,
my life, my shadow, hear me sing.

   Life of my life, I can’t be still.
What is a story we never tell?
How can you find me unless I call?

   Life of my life, I haven’t changed,
not turned aside and not estranged.
Come to me as the shadows grow long,
come, life of my life, if you know the song
you used to know, if you know my name.
I and the song are still the same.

    Beyond time or place I keep the faith.
Follow a path or follow no path, 
don’t fear the night or the rainy wind.
call me to come to you, now at the end,
and come to me, soul of my soul, my friend. 
 



Canto Que Amabas 
 

Yo canto lo que tú amabas, vida mía,
por si te acercas y escuchas, vida mía,
por si te acuerdas del mundo que viviste,
al atardecer yo canto, sombra mía.

Yo no quiero enmudecer, vida mía.
¿Cómo sin mi grito fiel me hallarías?
¿Cuál señal, cuál me declara, vida mía?

Soy la misma que fue tuya, vida mía.
Ni lenta ni trascordada ni perdida.
Acude al anochecer, vida mía;
ven recordando un canto, vida mía,
si la canción reconoces de aprendida
y si mi nombre recuerdas todavía.

Te espero sin plazo ni tiempo.
No temas noche, neblina ni aguacero.
Acude con sendero o sin sendero.
Llámame a donde tú eres, alma mía,
0201y marcha recto hacia mí, compañero.

From Selected Poems of Gabriela Mistral: Translated by Ursula K. Le Guin. Copyright © 2003 Ursula K. Le Guin. Courtesy of University of New Mexico Press. 

translated by Ursula K. Le Guin

Give me your hand and give me your love,
give me your hand and dance with me.
A single flower, and nothing more,
a single flower is all we'll be.

Keeping time in the dance together,
singing the tune together with me, 
grass in the wind, and nothing more,
grass in the wind is all we'll be.

I'm called Hope and you're called Rose:
but losing our names we'll both go free,
a dance on the hills, and nothing more,
a dance on the hills is all we'll be.


Dame La Mano 

Dame la mano y danzaremos;
dame la mano y me amarás.
Como una sola flor seremos,
como una flor, y nada más.

El mismo verso cantaremos,
al mismo paso bailarás.
Como una espiga ondularemos,
como una espiga, y nada más.

Te llamas Rosa y yo Esperanza;
pero tu nombre olvidarás,
porque seremos una danza
en la colina y nada más. 

From Selected Poems of Gabriela Mistral: Translated by Ursula K. Le Guin. Copyright © 2003 Ursula K. Le Guin. Courtesy of University of New Mexico Press. 

I

Living is no laughing matter:
	you must live with great seriousness
		like a squirrel, for example—
   I mean without looking for something beyond and above living,
		I mean living must be your whole occupation.
Living is no laughing matter:
	you must take it seriously,
	so much so and to such a degree
   that, for example, your hands tied behind your back,
                                            your back to the wall,
   or else in a laboratory
	in your white coat and safety glasses,
	you can die for people—
   even for people whose faces you’ve never seen,
   even though you know living
	is the most real, the most beautiful thing.
I mean, you must take living so seriously
   that even at seventy, for example, you’ll plant olive trees—
   and not for your children, either,
   but because although you fear death you don’t believe it,
   because living, I mean, weighs heavier.

II

Let’s say we’re seriously ill, need surgery—
which is to say we might not get up
			from the white table.
Even though it’s impossible not to feel sad
			about going a little too soon,
we’ll still laugh at the jokes being told,
we’ll look out the window to see if it’s raining,
or still wait anxiously
		for the latest newscast . . . 
Let’s say we’re at the front—
	for something worth fighting for, say.
There, in the first offensive, on that very day,
	we might fall on our face, dead.
We’ll know this with a curious anger,
        but we’ll still worry ourselves to death
        about the outcome of the war, which could last years.
Let’s say we’re in prison
and close to fifty,
and we have eighteen more years, say,
                        before the iron doors will open.
We’ll still live with the outside,
with its people and animals, struggle and wind—
                                I  mean with the outside beyond the walls.
I mean, however and wherever we are,
        we must live as if we will never die.

III

This earth will grow cold,
a star among stars
               and one of the smallest,
a gilded mote on blue velvet—
	  I mean this, our great earth.
This earth will grow cold one day,
not like a block of ice
or a dead cloud even 
but like an empty walnut it will roll along
	  in pitch-black space . . . 
You must grieve for this right now
—you have to feel this sorrow now—
for the world must be loved this much
                               if you’re going to say “I lived” . . .

From Poems of Nazim Hikmet, translated by Randy Blasing and Mutlu Konuk, published by Persea Books. Copyright © 1994 by Randy Blasing and Mutlu Konuk. Used with the permission of Persea Books. All rights reserved.

(love)   I’ve been trying to make our (baby) without our bodies   
             I threw some bones on the page    I wrote;  
             you are a ghost that’s never lived  
             little side mirror spell 
             (love) I made our (baby) a ghost to get our (baby) here  
             who said that?  
             what a man won’t do  
             to get what he wants? 

             forgive me?  (love) I thought I knew something  
about loving     I was longing     I thought I knew something  
             about ghosts     I’m closer to Okri  
             than I am a father  
spirit-child    wounded wound    my mouth that won’t close  
             what kind of ghost has never been alive?  
             unborn   born   and ghost again?  

             (baby) I’m sorry  
             I’m sorry to bring you forth like this    
             into suffering

Copyright © 2026 by Tyree Daye. Originally published in Poem-a-Day on February 11, 2026, by the Academy of American Poets.