one is hard & the other tried to be
one is fast & the other was faster
one is loud & one is a song
with one note & endless rest
one's whole life is a flash
both spend their life
trying to find a warmth to call home
both spark quite the debate,
some folks want to protect them/some think we should just get rid
of the damn things all together.
Copyright © 2014 by Danez Smith. Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database.
lately, when asked how are you, i
respond with a name no longer living
Rekia, Jamar, Sandra
i am alive by luck at this point. i wonder
often: if the gun that will unmake me
is yet made, what white birth
will bury me, how many bullets, like a
flock of blue jays, will come carry my black
to its final bed, which photo will be used
to water down my blood. today i did
not die and there is no god or law to
thank. the bullet missed my head
and landed in another. today, i passed
a mirror and did not see a body, instead
a suggestion, a debate, a blank
post-it note there looking back. i
haven't enough room to both rage and
weep. i go to cry and each tear turns
to steam. I say I matter and a ghost
white hand appears over my mouth
"what the dead know by heart" by Donte Collins. Copyright © 2016 by Donte Collins. Used with permission of the author.
Every minute or so, a hallelujah
dies in someone’s mouth. Every minute or so, a gunshot.
A ceasefire. A tire shreds
on the highway, & pieces flit like sparrows
across the sky. Silly me. I thought
we were here to live.
The garden’s hallelujahs: tulips & rhododendrons, alive
in the ground. We expect so much
of life. Once, I was a child. Then, a child
was locked inside me. Now, a different
country claims us. Tie my hands
to the wind. Strip my mouth of any country
that doesn’t fit. Sorrow the sparrow’s
steel cord & textile torso. Its irrational wings.
The problem with flying is most people
settle for land, no matter how often
we are unloved by land.
Rewind the centuries:
before planes, the accidents of a gun,
or mouth, or gentle morning, how many people
believed they could fly? Breaking gravity,
what names did they cry when they took that first step
away? Listen to me. I’m telling you
what only the wind knows—
here, the sparrows were, all along. Nailed
to their species. Alive, or not
alive. Sometimes, not alive at all.
Originally published in Four Way Review. Copyright © 2017 by Chelsea Dingman. Used with the permission of the author.
For my people everywhere singing their slave songs
repeatedly: their dirges and their ditties and their blues
and jubilees, praying their prayers nightly to an
unknown god, bending their knees humbly to an
unseen power;
For my people lending their strength to the years, to the
gone years and the now years and the maybe years,
washing ironing cooking scrubbing sewing mending
hoeing plowing digging planting pruning patching
dragging along never gaining never reaping never
knowing and never understanding;
For my playmates in the clay and dust and sand of Alabama
backyards playing baptizing and preaching and doctor
and jail and soldier and school and mama and cooking
and playhouse and concert and store and hair and Miss
Choomby and company;
For the cramped bewildered years we went to school to learn
to know the reasons why and the answers to and the
people who and the places where and the days when, in
memory of the bitter hours when we discovered we
were black and poor and small and different and nobody
cared and nobody wondered and nobody understood;
For the boys and girls who grew in spite of these things to
be man and woman, to laugh and dance and sing and
play and drink their wine and religion and success, to
marry their playmates and bear children and then die
of consumption and anemia and lynching;
For my people thronging 47th Street in Chicago and Lenox
Avenue in New York and Rampart Street in New
Orleans, lost disinherited dispossessed and happy
people filling the cabarets and taverns and other
people’s pockets needing bread and shoes and milk and
land and money and something—something all our own;
For my people walking blindly spreading joy, losing time
being lazy, sleeping when hungry, shouting when
burdened, drinking when hopeless, tied, and shackled
and tangled among ourselves by the unseen creatures
who tower over us omnisciently and laugh;
For my people blundering and groping and floundering in
the dark of churches and schools and clubs and
societies, associations and councils and committees and
conventions, distressed and disturbed and deceived and
devoured by money-hungry glory-craving leeches,
preyed on by facile force of state and fad and novelty, by
false prophet and holy believer;
For my people standing staring trying to fashion a better way
from confusion, from hypocrisy and misunderstanding,
trying to fashion a world that will hold all the people,
all the faces, all the adams and eves and their countless
generations;
Let a new earth rise. Let another world be born. Let a
bloody peace be written in the sky. Let a second
generation full of courage issue forth; let a people
loving freedom come to growth. Let a beauty full of
healing and a strength of final clenching be the pulsing
in our spirits and our blood. Let the martial songs
be written, let the dirges disappear. Let a race of men now
rise and take control.
From This Is My Century: New and Collected Poems (University of Georgia Press, 1989). Copyright © 1989 by Margaret Walker. Used with permission of the University of Georgia Press.