I wonder what I’d do
with eight arms, two eyes
& too many ways to give
myself away
see, I only have one heart
& I know loving a woman can make you crawl
out from under yourself, or forget
the kingdom that is your body
& what would you say, octopus?
that you live knowing nobody
can touch you more
than you do already
that you can’t punch anything underwater
so you might as well drape yourself
around it, bring it right up to your mouth
let each suction cup kiss what it finds
that having this many hands
means to hold everything
at once & nothing
to hold you back
that when you split
you turn your blood
blue & pour
out more ocean
that you know heartbreak so well
you remove all your bones
so nothing can kill you.
Copyright © 2025 by Denice Frohman. Published by permission of the author.
I’ve told him that when I die,
he may sleep with as many women as he likes,
as long as he will vow to sob post-coitally.
I tell him first as I double-u my legs
over his torso, pull the blue duvet
around the lump our bodies make,
and I tell him straight-faced.
We laugh about it occasionally,
our little death joke.
The Egyptians believed the heart
is where the soul is –
slit the bellies of the dead, remove the still organs,
but leave the quiet heart between its ribs,
wrapping the arms, torso, slick, clammy skin
tight in white. They performed
the Opening of the Mouth ceremony, touched
the mummy on the lips, eyes and ears with a blade
so he could speak and sense, live again in the hereafter.
You wrap me, strip over strip of our linen bed sheets,
listen to my voice, provide me with a blade.
I plea for you to keep me inside
so that when you stop breathing,
your heart will weigh no more than a feather,
and when what remains is only stillness,
we can pull open our red centers,
and watch a sacred ibis unfold itself into flight.
From The Way a Wound Becomes a Scar (Kelsay Books, 2021) by Emily Schulten. Copyright © 2021 Emily Schulten. Reprinted by permission of the author.