More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.

Copyright © 2017 by Ada Limón. Originally published in Poem-a-Day on May 15, 2017, by the Academy of American Poets.

   Boil it down: feet, skin, gristle,
   bones, vertebrae, heart muscle, boil
   it down, skim, and boil
   again, dreams, history, add them and boil
   again, boil and skim
   in closed cauldrons, boil your horse, his hooves,
   the runned-over dog you loved, the girl
   by the pencil sharpener
   who looked at you, looked away,
   boil that for hours, render it
   down, take more from the top as more settles to the bottom,
   the heavier, the denser, throw in ache
   and sperm, and a bead 
   of sweat that slid from your armpit to your waist
   as you sat stiff-backed before a test, turn up
   the fire, boil and skim, boil
   some more, add a fever
   and the virus that blinded an eye, now's the time 
   to add guilt and fear, throw
   logs on the fire, coal, gasoline, throw
   two goldfish in the pot (their swim bladders
   used for "clearing"), boil and boil, render
   it down and distill,
   concentrate
   that for which there is no
   other use at all, boil it down, down, 
   then stir it with rosewater, that 
   which is now one dense, fatty, scented red essence
   which you smear on your lips 
   and go forth
   to plant as many kisses upon the world
   as the world can bear! 

From The Cradle Place by Thomas Lux. Copyright © 2004 by Thomas Lux. Reprinted by permission of Houghton Mifflin. All rights reserved.