I
Admitted to the hospital again.
The second bout of pneumocystis back
In January almost killed him; then,
He'd sworn to us he'd die at home. He baked
Us cookies, which the student wouldn't eat,
Before he left--the kitchen on 5A
Is small, but serviceable and neat.
He told me stories: Richard Gere was gay
And sleeping with a friend if his, and AIDS
Was an elaborate conspiracy
Effected by the government. He stayed
Four months. He lost his sight to CMV.
II
One day, I drew his blood, and while I did
He laughed, and said I was his girlfriend now,
His blood-brother. "Vampire-slut," he cried,
"You'll make me live forever!" Wrinkled brows
Were all I managed in reply. I know
I'm drowning in his blood, his purple blood.
I filled my seven tubes; the warmth was slow
To leave them, pressed inside my palm. I'm sad
Because he doesn't see my face. Because
I can't identify with him. I hate
The fact that he's my age, and that across
My skin he's there, my blood-brother, my mate.
III
He said I was too nice, and after all
If Jodie Foster was a lesbian,
Then doctors could be queer. Residual
Guilts tingled down my spine. "OK, I'm done,"
I said as I withdrew the needle from
His back, and pressed. The CSF was clear;
I never answered him. That spot was framed
In sterile, paper drapes. He was so near
Death, telling him seemed pointless. Then, he died.
Unrecognizable to anyone
But me, he left my needles deep inside
His joking heart. An autopsy was done.
IV
I'd read to him at night. His horoscope,
The New York Times, The Advocate;
Some lines by Richard Howard gave us hope.
A quiet hospital is infinite,
The polished, ice-white floors, the darkened halls
That lead to almost anywhere, to death
Or ghostly, lighted Coke machines. I call
To him one night, at home, asleep. His breath,
I dreamed, had filled my lungs--his lips, my lips
Had touched. I felt as though I'd touched a shrine.
Not disrespectfully, but in some lapse
Of concentration. In a mirror shines
The distant moon.
From The Other Man Was Me: A Voyage to the New World by Rafael Campo, published by Arte Público Press. Copyright © 1994 Rafael Campo. Used with permission.
I won’t be forgiven
for what I’ve made
of myself.
Soil recoils
from my hooked kisses.
Pines turn their backs
on me. They know
what I can do
with the wrap of my legs.
Each summer,
when the air becomes crowded
with want, I set all my tongues
upon you.
To quiet this body,
you must answer
my tendrilled craving.
All I’ve ever wanted
was to kiss crevices, pry them open,
and flourish within dew-slick
hollows.
How you mistake
my affection.
And if I ever strangled sparrows,
it was only because I dreamed
of better songs.
Saeed Jones, “Kudzu” from Prelude to Bruise (Coffee House Press , 2014). Copyright © 2014 by Saeed Jones. Reprinted with the permission of the author.
Breathe
. As in what if
the shadow is gold
en? Breathe. As in
hale assuming
exhale. Imagine
that. As in first
person singular. Homonym
:. As in subject. As
in centeroftheworld as in
mundane. The opposite of spectacle
spectacular. This is just us
breathing. Imagine
normalized respite
gold in shadows
. You have the
right to breathe and remain
. Imagine
that
.
Copyright © 2019 by Rosamond S. King. Originally published in Poem-a-Day on June 5, 2019, by the Academy of American Poets.
I.
my lover is a woman
& when i hold her
feel her warmth
i feel good
feel safe
then—i never think of
my family’s voices
never hear my sisters say
bulldaggers, queers, funny
come see us, but don’t
bring your friends
it’s ok with us,
but don’t tell mama
it’d break her heart
never feel my father
turn in his grave
never hear my mother cry
Lord, what kind of child is this?
II.
my lover’s hair is blonde
& when it rubs across my face
it feels soft
feels like a thousand fingers
touch my skin & hold me
and i feel good
then—i never think of the little boy
who spat & called me nigger
never think of the policemen
who kicked my body & said crawl
never think of Black bodies
hanging in trees or filled
with bullet holes
never hear my sisters say
white folks hair stinks
don’t trust any of them
never feel my father
turn in his grave
never hear my mother talk
of her backache after scrubbing floors
never hear her cry
Lord, what kind of child is this?
III.
my lover’s eyes are blue
& when she looks at me
i float in a warm lake
feel my muscles go weak with want
feel good
feel safe
then—i never think of the blue
eyes that have glared at me
moved three stools away from me
in a bar
never hear my sisters rage
of syphilitic Black men as
guinea pigs
rage of sterilized children
watch them just stop in an
intersection to scare the old
white bitch
never feel my father turn
in his grave
never remember my mother
teaching me the yes sirs & ma’ams
to keep me alive
never hear my mother cry
Lord, what kind of child is this?
IV.
& when we go to a gay bar
& my people shun me because i crossed
the line
& her people look to see what's
wrong with her
what defect
drove her to me
& when we walk the streets
of this city
forget and touch
or hold hands
& the people
stare, glare, frown, & taunt
at those queers
i remember
every word taught me
every word said to me
every deed done to me
& then i hate
i look at my lover
& for an instant
doubt
then—i hold her hand tighter
& i can hear my mother cry.
Lord, what kind of child is this?
“My Lover Is a Woman” by Pat Parker © Anastasia Dunham-Parker-Brady, used with permission.