Midnight empties the street
Of all but us
Three
I am undecided which way back
                        To the left a boy
—One wing has been washed in the rain
    The other will never be clean any more—
Pulling door-bells to remind
Those that are snug
                        To the right a haloed ascetic
                        Threading houses
Probes wounds for souls
—The poor can’t wash in hot water—
And I don’t know which turning to take
Since you got home to yourself—first

This poem is in the public domain. 

A silver Lucifer
serves
cocaine in cornucopia

To some somnambulists
of adolescent thighs
draped
in satirical draperies

Peris in livery
prepare
Lethe
for posthumous parvenues

Delirious Avenues
lit
with the chandelier souls
of infusoria
from Pharoah's tombstones

lead
to mercurial doomsdays
Odious oasis
in furrowed phosphorous---

the eye-white sky-light
white-light district
of lunar lusts

---Stellectric signs
"Wing shows on Starway"
"Zodiac carrousel"

Cyclones
of ecstatic dust
and ashes whirl
crusaders
from hallucinatory citadels
of shattered glass
into evacuate craters

A flock of dreams 
browse on Necropolis

From the shores
of oval oceans
in the oxidized Orient

Onyx-eyed Odalisques
and ornithologists
observe
the flight
of Eros obsolete

And "Immortality"
mildews...
in the museums of the moon

"Nocturnal cyclops"
"Crystal concubine"
-------
Pocked with personification
the fossil virgin of the skies
waxes and wanes----

From The Lost Lunar Baedeker: Poems of Mina Loy, published by Farrar, Straus & Giroux, 1996. Copyright © 1996 by the Estate of Mina Loy. All rights reserved. Used with permission.

This living hand, now warm and capable
Of earnest grasping, would, if it were cold
And in the icy silence of the tomb,
So haunt thy days and chill thy dreaming nights
That thou wouldst wish thine own heart dry of blood
So in my veins red life might stream again,
And thou be conscience-calmed—see here it is—
I hold it towards you.

This poem is in the public domain.

Season of mists and mellow fruitfulness,
  Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
  With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
  And fill all fruit with ripeness to the core;
    To swell the gourd, and plump the hazel shells
  With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
    For summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
  Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
  Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
  Drowsed with the fume of poppies, while thy hook
    Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
  Steady thy laden head across a brook;
  Or by a cider-press, with patient look,
    Thou watchest the last oozings, hours by hours.

Where are the songs of Spring? Ay, where are they?
  Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
  And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
  Among the river sallows, borne aloft
    Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
  Hedge-crickets sing; and now with treble soft
  The redbreast whistles from a garden-croft,
    And gathering swallows twitter in the skies.

Written September 19, 1819; first published in 1820. This poem is in the public domain.

     Dim vales—and shadowy floods—
     And cloudy-looking woods,
     Whose forms we can’t discover
     For the tears that drip all over
     Huge moons there wax and wane—
     Again—again—again—
     Every moment of the night—
     Forever changing places—
     And they put out the star-light
     With the breath from their pale faces.
     About twelve by the moon-dial
     One, more filmy than the rest
     (A kind which, upon trial,
     They have found to be the best)
     Comes down—still down—and down
     With its centre on the crown
     Of a mountain’s eminence,
     While its wide circumference
     In easy drapery falls
     Over hamlets, over halls,
     Wherever they may be—
     O’er the strange woods—o’er the sea—
     Over spirits on the wing—
     Over every drowsy thing—
     And buries them up quite
     In a labyrinth of light—
     And then, how deep!—O, deep!
     Is the passion of their sleep.
     In the morning they arise,
     And their moony covering
     Is soaring in the skies,
     With the tempests as they toss,
     Like—almost any thing—
     Or a yellow Albatross.
     They use that moon no more
     For the same end as before—
     Videlicet a tent—
     Which I think extravagant:
     Its atomies, however,
     Into a shower dissever,
     Of which those butterflies,
     Of Earth, who seek the skies,
     And so come down again
     (Never-contented things!)
     Have brought a specimen
     Upon their quivering wings.

     1831.

This poem is in the public domain.