Blue, but you are Rose, too,
and buttermilk, but with blood
dots showing through.
A little salty your white
nape boy-wide.  Glinting hairs
shoot back of your ears' Rose
that tongues like to feel
the maze of, slip into the funnel,
tell a thunder-whisper to.
When I kiss, your eyes' straight
lashes down crisp go like doll's
blond straws.  Glazed iris Roses,
your lids unclose to Blue-ringed
targets, their dark sheen-spokes
almost green.  I sink in Blue-
black Rose-heart holes until you
blink.  Pink lips, the serrate
folds taste smooth, and Rosehip-
round, the center bud I suck.
I milknip your two Blue-skeined
blown Rose beauties, too, to sniff
their berries' blood, up stiff
pink tips.  You're white in 
patches, only mostly Rose,
buckskin and saltly, speckled
like a sky.  I love your spots,
your white neck, Rose, your hair's
wild straw splash, silk spools
for your ears.  But where white
spouts out, spills on your brow
to clear eyepools, wheel shafts
of light, Rose, you are Blue.

^{For Chile}

In the republic of poetry,
a train full of poets
rolls south in the rain
as plum trees rock
and horses kick the air,
and village bands
parade down the aisle
with trumpets, with bowler hats,
followed by the president
of the republic,
shaking every hand.

In the republic of poetry,
monks print verses about the night
on boxes of monastery chocolate,
kitchens in restaurants
use odes for recipes
from eel to artichoke,
and poets eat for free.

In the republic of poetry,
poets read to the baboons
at the zoo, and all the primates,
poets and baboons alike, scream for joy.

In the republic of poetry,
poets rent a helicopter
to bombard the national palace
with poems on bookmarks,
and everyone in the courtyard
rushes to grab a poem
fluttering from the sky,
blinded by weeping.

In the republic of poetry,
the guard at the airport
will not allow you to leave the country
until you declaim a poem for her
and she says Ah! Beautiful.

^{after Yusef Komunyakaa}

My black face fades,
hiding inside black smoke.
I knew they'd use it,
dammit: tear gas.
I'm grown. I'm fresh.
Their clouded assumption eyes me
like a runaway, guilty as night,
chasing morning. I run
this way—the street lets me go.
I turn that way—I'm inside
the back of a police van
again, depending on my attitude
to be the difference.
I run down the signs
half-expecting to find
my name protesting in ink.
I touch the name Freddie Gray;
I see the beat cop's worn eyes.
Names stretch across the people’s banner
but when they walk away
the names fall from our lips.
Paparazzi flash. Call it riot.
The ground. A body on the ground.
A white cop’s image hovers
over us, then his blank gaze
looks through mine. I’m a broken window.
He’s raised his right arm
a gun in his hand. In the black smoke
a drone tracking targets:
No, a crow gasping for air. 

Wearing nothing but snakeskin
boots, I blazed a footpath, the first
radical road out of that old kingdom
toward a new unknown.
When I came to those great flaming gates
of burning gold,
I stood alone in terror at the threshold
between Paradise and Earth.
There I heard a mysterious echo:
my own voice
singing to me from across the forbidden
side. I shook awake—
at once alive in a blaze of green fire.

Let it be known: I did not fall from grace.

I leapt
to freedom.

You are standing in the minefield again.
Someone who is dead now

told you it is where you will learn
to dance. Snow on your lips like a salted

cut, you leap between your deaths, black as god’s
periods. Your arms cleaving little wounds

in the wind. You are something made. Then made
to survive, which means you are somebody’s

son. Which means if you open your eyes, you’ll be back
in that house, beneath a blanket printed with yellow sailboats.

Your mother’s boyfriend, his bald head ringed with red
hair, like a planet on fire, kneeling

by your bed again. Air of whiskey & crushed
Oreos. Snow falling through the window: ash returned

from a failed fable. His spilled-ink hand
on your chest. & you keep dancing inside the minefield—

motionless. The curtains fluttering. Honeyed light
beneath the door. His breath. His wet blue face: earth

spinning in no one’s orbit. & you want someone to say Hey…Hey
I think your dancing is gorgeous. A little waltz to die for,

darling. You want someone to say all this
is long ago. That one night, very soon, you’ll pack a bag

with your favorite paperback & your mother’s .45,
that the surest shelter was always the thoughts

above your head. That it’s fair—it has to be—
how our hands hurt us, then give us

the world. How you can love the world
until there’s nothing left to love

but yourself. Then you can stop.
Then you can walk away—back into the fog

-walled minefield, where the vein in your neck adores you
to zero. You can walk away. You can be nothing

& still breathing. Believe me.