In Flanders fields the poppies blow

Between the crosses, row on row,

    That mark our place; and in the sky

    The larks, still bravely singing, fly

Scarce heard amid the guns below.

We are the Dead. Short days ago

We lived, felt dawn, saw sunset glow,

    Loved and were loved, and now we lie

        In Flanders fields.

Take up our quarrel with the foe: 

To you from failing hands we throw

    The torch; be yours to hold it high. 

    If ye break faith with us who die

We shall not sleep, though poppies grow

        In Flanders fields.

This poem is in the public domain.

Listen, children:

Your father is dead.

From his old coats

I'll make you little jackets;

I'll make you little trousers

From his old pants.

There'll be in his pockets

Things he used to put there,

Keys and pennies

Covered with tobacco;

Dan shall have the pennies

To save in his bank;

Anne shall have the keys

To make a pretty noise with.

Life must go on,

And the dead be forgotten;

Life must go on,

Though good men die;

Anne, eat your breakfast;

Dan, take your medicine;

Life must go on;

I forget just why.

From Second April (J. J. Little and Ives Company, 1921) by Edna St. Vincent Millay. This poem is in the public domain. 

Night from a railroad car window
Is a great, dark, soft thing
Broken across with slashes of light.

This poem is in the public domain.

Every day, 
Every day, 
Tell the hours 
By their shadows, 
By their shadows.

This poem is in the public domain.

My condolences to the man dressed
for a funeral, sitting bored
on a gray folding chair, the zero

of his mouth widening in a yawn.
No doubt he's pictured himself inside
a painting or two around his station,

stealing a plump green grape
from the cluster hanging above
the corkscrew locks of Dionysus,

or shooting arrows at rosy-cheeked cherubs
hiding behind a woolly cloud.
With time limping along

like a Bruegel beggar, no doubt
he's even seen himself taking the place
of the one crucified: the black spike

of the minute hand piercing his left palm,
the hour hand penetrating the right, 
nailed forever to one spot.

From A House Waiting for Music by David Hernandez. Copyright © 2003 by David Hernandez. Reprinted by permission of Tupelo Press. All rights reserved.