You are disdainful and magnificent—
Your perfect body and your pompous gait,
Your dark eyes flashing solemnly with hate,
Small wonder that you are incompetent
To imitate those whom you so despise—
Your shoulders towering high above the throng,
Your head thrown back in rich, barbaric song,
Palm trees and mangoes stretched before your eyes.
Let others toil and sweat for labor’s sake
And wring from grasping hands their meed of gold.
Why urge ahead your supercilious feet?
Scorn will efface each footprint that you make.
I love your laughter arrogant and bold.
You are too splendid for this city street.

This poem is in the public domain. Published in Poem-a-Day on February 25, 2023, by the Academy of American Poets.

Day after day, barelegged in the plaza, 
He squats by his coconuts, a jade-green mound, 
Hacking the husks with a gleaming machete,
Tossing jade and ivory chips to the ground. 

Youth has slipped by him—he has not missed it. 
With monotonous gesture and eyes half asleep,
He is only aware of the shining fragments, 
And nuts piling up in a shaggy brown heap. 

A world has been gutted by fire and disaster, 
Nations wasted to ashes, the while he has been 
Year after year, hacking and chopping 
Dusky nuts from their sheaths of ivory and green.

This poem is in the public domain. Published in Poem-a-Day on August 31, 2024, by the Academy of American Poets.

I turn on a light in a room I pace away from
take comfort behind neon signs    nested in wires
an errant mirror propped against a commercial strip
or cradled awkwardly in the elbows of a passerby
my legs become their legs
mushrooms came before us needing no light
now they clean up oil spills    rebuild biomes
ripped green awnings of my youth have become
sleek noun and noun stores like Gold and Rust where 
you can buy boutique sticks    stones    dead flowers
I’m more turned on by the defunct Mustang
its turquoise alive in the rain    nostalgia is dangerous 
turquoise that took millions of years to form   mined up
when there was one woman per one thousand men
Jin Ho threw herself into the bay when she learned
she would be sold into prostitution
threw herself not jumped so even in history she is 
an object possessing herself in an act of dispossession 
you make everything about yourself    
as if there’s another realm where I am real
if only    there was something essential    
an oil I could purchase that would reflect only you 
in my floral wrists shielding my eyes
here    take everything    my social security number
my hope that the rush of a population will crash

Copyright © 2020 by Claire Meuschke. Originally published in Poem-a-Day on October 29, 2020, by the Academy of American Poets.

Ten years of driving the same highway, past the same tree, the
    picture is
at last complete. The eucalyptus tree and narrow birds above a
    blessed
steel sea with no thoughts of yesterday, today, or tomorrow.

Black cormorants on bare branches spread their wings as if in
    prayer.
A sunny day in Summerland and the tree, visible only from the
    highway,
hides its penitent perch from cars racing by too fast.

Four wheels swerve to avoid a sheer cliff, southbound on the 101.
The fat sun slides its yolk into the glass ocean. Slow down, see
an empty nest of woven round sticks in the praying tree.

Birds soak in rays without fear of melanoma or the nature
of forgiveness. Slick imperfections, wet wings
open and close in Morse code for goodbye.
 

Copyright © 2015 by Melinda Palacio. Originally published in Poem-a-Day on September 23, 2015, by the Academy of American Poets

Yesterday a little girl got slapped to death by her daddy,
   out of work, alcoholic, and estranged two towns down river. 
America, it's hard to get your attention politely.
   America, the beautiful night is about to blow up

and the cop who brought the man down with a shot to the chops 
   is shaking hands, dribbling chaw across his sweaty shirt,
and pointing cars across the courthouse grass to park. 
   It's the Big One one more time, July the 4th,

our country's perfect holiday, so direct a metaphor for war, 
   we shoot off bombs, launch rockets from Drano cans,
spray the streets and neighbors' yards with the machine-gun crack 
   of fireworks, with rebel yells and beer. In short, we celebrate.

It's hard to believe. But so help the soul of Thomas Paine,
   the entire county must be here--the acned faces of neglect,
the halter-tops and ties, the bellies, badges, beehives,
   jacked-up cowboy boots, yes, the back-up singers of democracy

all gathered to brighten in unambiguous delight
   when we attack the calm and pointless sky. With terrifying vigor 
the whistle-stop across the river will lob its smaller arsenal
   halfway back again. Some may be moved to tears.

We'll clean up fast, drive home slow, and tomorrow
   get back to work, those of us with jobs, convicting the others 
in the back rooms of our courts and malls--yet what
   will be left of that one poor child, veteran of no war

but her family's own? The comfort of a welfare plot,
   a stalk of wilting prayers? Our fathers' dreams come true as 
   nightmare.
So the first bomb blasts and echoes through the streets and shrubs:
   red, white, and blue sparks shower down, a plague

of patriotic bugs. Our thousand eyeballs burn aglow like punks. 
   America, I'd swear I don't believe in you, but here I am,
and here you are, and here we stand again, agape.

From Like Thunder: Poets Respond to Violence in America, edited by Virgil Suárez and Ryan G. Van Cleave, published by the University of Iowa Press. Copyright © 2002 by Virgil Suárez and Ryan G. Van Cleave. All rights reserved.

It sits between the Dollar General
and Rescue Alley, begging
for change, white sign
with a Jack Rabbit dressed
like a ’40s gangster. Smug grin,  
he leans against a lamppost,
his cane no more relevant
than the red suspenders
clamped to his slacks.
In the parking lot sits a trailer,
where a guy who goes by Dino
sells fireworks with names
like Falcon Rising, Sexy Rider,
and Bada Bing! Bada Boom!
Nancy burns one out back,
and rumors about town
contend the ladies love Dino
for his sparklers and not for
his cherry bombs, which might
mean anything in Sulligent, Alabama,
where things are still simple
enough for a scratch-off ticket
and half-a-tank of non-ethanol gas
—a reminder on the way home
that there is more to life
than barely making it. Why,
right at your foot a 1952
wheat penny shimmers like
a pinky swear in a schoolyard.

Copyright © 2015 by Kerry James Evans. Originally published in Poem-a-Day on December 18, 2015, by the Academy of American Poets.