Since then I have slowly learned to grasp how everything is connected across space and time.
—W. G. Sebald, “A Place in the Country”
There is a webby and
exalted state of
comprehension wherein
discrete events—like the
rigging lights of separate
boats upon a midnight
ocean—suggest a net:
something immense and
inclined to pulse—not
hideous with meaning yet
but already strangely tedious
if expressed.
Copyright © 2024 by Kay Ryan. This poem was first printed in Revel, Issue 1 (Winter 2024). Published in a special arrangement with Revel by permission of the author and Grove Press.
Patience is wider than one once envisioned, with ribbons of rivers and distant ranges and tasks undertaken and finished with modest relish by natives in their native dress. Who would have guessed it possible that waiting is sustainable— a place with its own harvests. Or that in time's fullness the diamonds of patience couldn't be distinguished from the genuine in brilliance or hardness.
From Say Uncle by Kay Ryan, published by Grove Press. Copyright © 2000 by Kay Ryan. Used by permission. All rights reserved.
If he and she do not know each other, and feel confident
they will not meet again; if he avoids affectionate words;
if she has grown insensible skin under skin; if they desire
only the tribute of another’s cry; if they employ each other
as revenge on old lovers or families of entitlement and steel—
then there will be no betrayals, no letters returned unread,
no frenzy, no hurled words of permanent humiliation,
no trembling days, no vomit at midnight, no repeated
apparition of a body floating face-down at the pond’s edge
From White Apples and the Taste of Stone. Copyright © 2006 by Donald Hall. Reprinted by permission of Houghton Mifflin Company.
What it must be like to be an angel or a squirrel, we can imagine sooner. The last time we go to bed good, they are there, lying about darkness. They dandle us once too often, these friends who become our enemies. Suddenly one day, their juniors are as old as we yearn to be. They get wrinkles where it is better smooth, odd coughs, and smells. It is grotesque how they go on loving us, we go on loving them The effrontery, barely imaginable, of having caused us. And of how. Their lives: surely we can do better than that. This goes on for a long time. Everything they do is wrong, and the worst thing, they all do it, is to die, taking with them the last explanation, how we came out of the wet sea or wherever they got us from, taking the last link of that chain with them. Father, mother, we cry, wrinkling, to our uncomprehending children and grandchildren.
From The Cheer, published by Alfred A. Knopf. Copyright © 1980 by William Meredith. Used with permission. All rights reserved.