Dedicated to the missing children of war, 911, United Nations Day, 2002. The word majnun means mad or crazy in many languages.

I am almost majnun—majnun
searching for you in the cinders of cement
in the limp of wounded pigeon.

Rat fowl of urban rot
Have you seen my daughter?
Are you pecking her remains from hardened asphalt?
I am lost without her.
Her lungs were my lungs were my throat in my eye.
Have you seen my daughter?
She disintegrated into a sky burial of trade.

I am almost majnun—majnun
detonated propellers spiral into my cabin
exhaust roars raining flesh
gray human paste covers Manhattan.
This puddle is my husband.
He was renamed the falling man.
He has joined the blood river of twisted carcass.
I am almost majnun—majnun

Have you seen my sister?
She was tortured by a regime that looks like you
Lacerated in the spin of piano wire,
she is bleeding oil
a lily pad sinking in the Mediterranean.

Have you seen him?
You did see him, your brother.
You swallowed him in the gasp of television.
He is branded to the inside of your eyelids.
Descending in the blink of horror, he lives in you.
He is a tear gland squatter
a perpetual spiral down a landscape of eye.

The Fallen Man is
falling through the broken smoke of a fireman’s net
falling down the chimney of swine and coriander
falling up my nostrils into the mushroom stench of
Hiroshima and Nagasaki
falling across consciousness spinning
toward the grinding mouth of denial
falling beneath the choke hold of profiling snipers
falling over hallucinations of them falling
over hallucinations of me falling
beyond the debris of ethnic sterilization
I am skinless and blue—almost majnun.

Have you seen my daughter?
I am lost without her.
Her picture hangs from my neck like a stethoscope.
Her eyes are of Christ, jeweled mocha orbs.
I am looking for her in the dusk flake of air,
in the incidental pauses between words.
A morphine drip pats time silent.

I am looking for her in the dehydration of African bush
in the diarrhea of Zanzibar
in a vial of Pedialyte.
She died the death of a sanctioned Iraqi girl
no boundaries in sand dug outs
no penicillin on Acacia trees
no united way for a sickled tarnished penny.
She has joined the blood river of twisted carcass.

My eyelids are screens to
the backdrop of his tumbling tomb.
The fallen man is falling.
Some anonymous cadaver is falling.
He is the rain of descending graves
prostituted bird droppings
falling vertical assembly line
stock falling into a Korean labor of child heap
falling into the noise of majnun
crowd space crashing skulls of shattered mosaics
into the open cave of zero
falling down into the urban scrotum of Harlem
into the closed palate of chocolate slavery
into decapitated Taser breath
into forgotten blankets of small pox
you know those forgotten blankets of small pox
Trail of Tears—Trail of Tears
heart falling heat fixed into the stain of microbes
into an anthrax wail of crows
falling up the vertebrae of post-modernist architecture

Have you seen Mary, Maryam, Malaika, Marta?
Ah, Marta

Her hair is rain forests, each strand a disciple of its own.
She is almost majnun.
The plague of chemical lake pumps her veins.
Her nipples are a leaky dioxin faucet.
Her baby is a dowry traded to the North Star.
It is a unicorn born deformed in the raw sewage
of Guatemala.
I am almost majnun.
a displaced monsoon/scarf poetry blowing in soot
Have you seen?

From Bleeding Fire! Tap the Eternal Spring of Regenerative Light (Broadside Lotus Press and Health Collectors LLC, 2019) by Semaj Brown. Copyright © 2019 by Semaj Brown. Used with the permission of the author.

translated from the Anishinaabemowin

Here in my native inland sea
From pain and sickness would I flee
And from its shores and island bright
Gather a store of sweet delight.
Lone island of the saltless sea!
How wide, how sweet, how fresh and free
How all transporting—is the view
Of rocks and skies and waters blue
Uniting, as a song’s sweet strains
To tell, here nature only reigns.
Ah, nature! here forever sway
Far from the haunts of men away
For here, there are no sordid fears,
No crimes, no misery, no tears
No pride of wealth; the heart to fill,
No laws to treat my people ill.

This poem is in the public domain. Published in Poem-a-Day on November 12, 2022, by the Academy of American Poets.

A campesino looked at the air
And told me:
With hurricanes it's not the wind
or the noise or the water.
I'll tell you he said:
it's the mangoes, avocados
Green plantains and bananas
flying into town like projectiles.

How would your family
feel if they had to tell
The generations that you
got killed by a flying
Banana.

Death by drowning has honor
If the wind picked you up
and slammed you
Against a mountain boulder
This would not carry shame
But
to suffer a mango smashing
Your skull
or a plantain hitting your
Temple at 70 miles per hour
is the ultimate disgrace.

The campesino takes off his hat—
As a sign of respect
toward the fury of the wind
And says:
Don't worry about the noise
Don't worry about the water
Don't worry about the wind—
If you are going out
beware of mangoes
And all such beautiful
sweet things.

From Maraca: New and Selected Poems 1965-2000 by Victor Hernández Cruz. Copyright © 2001 by Victor Hernández Cruz. Published by Coffee House Press. Used by permission of the publisher.