And whom do I call my enemy?
An enemy must be worthy of engagement.
I turn in the direction of the sun and keep walking.
It’s the heart that asks the question, not my furious mind.
The heart is the smaller cousin of the sun.
It sees and knows everything.
It hears the gnashing even as it hears the blessing.
The door to the mind should only open from the heart.
An enemy who gets in, risks the danger of becoming a friend.

Harjo, Joy, Conflict Resolution for Holy Beings: Poems; Copyright © 2015 by W. W. Norton & Company. Reprinted with permission of Anderson Literary Management LLC, 244 Fifth Avenue, Floor 11, New York, NY 10001.

In today’s paper, a story about our high school drama
teacher evicted from his Carnegie Hall rooftop apartment 

made me ache to call you—the only person I know 
who’d still remember his talent, his good looks, his self-

absorption. We’d laugh (at what haven’t we laughed?), then 
not laugh, wondering what became of him. But I can’t call, 

because I don’t know what became of you.

—After sixty years, with no explanation, you’re suddenly
not there. Gone. Phone disconnected. I was afraid

you might be dead. But you’re not dead. 

You’ve left, your landlord says. He has your new unlisted 
number but insists on “respecting your privacy.” I located 

your oldest son, who refuses to tell me anything except that 
you’re alive and not ill. Your ex-wife ignores my letters.

What’s happened? Are you in trouble? Something 
you’ve done? Something I’ve done? 

We used to tell each other everything: our automatic 
reference points to childhood pranks, secret codes, 

and sexual experiments. How many decades since we started 
singing each other “Happy Birthday” every birthday? 

(Your last uninhibited rendition is still on my voice mail.)

How often have we exchanged our mutual gratitude—the easy
unthinking kindnesses of long friendship. 

This mysterious silence isn’t kind. It keeps me 
up at night, bewildered, at some “stage “of grief. 

Would your actual death be easier to bear? 

I crave your laugh, your quirky takes, your latest
comedy of errors. “When one’s friends hate each other,”

Pound wrote near the end of his life, “how can there be
peace in the world?” We loved each other. Why why why 

am I dead to you? 

Our birthdays are looming. The older I get, the less and less 
I understand this world, 

and the people in it. 

Copyright © 2014 by Lloyd Schwartz. Used with permission of the author. This poem appeared in Poem-A-Day on February 27, 2014. Browse the Poem-A-Day archive.

I'm working on a poem that's so true, I can't show it to anyone.

I could never show it to anyone.

Because it says exactly what I think, and what I think scares me.

Sometimes it pleases me.

Usually it brings misery.

And this poem says exactly what I think.

What I think of myself, what I think of my friends, what I think about my lover.

Exactly.

Parts of it might please them, some of it might scare them.

Some of it might bring misery.

And I don't want to hurt them, I don't want to hurt them.

I don't want to hurt anybody.

I want everyone to love me.

Still, I keep working on it.

Why?

Why do I keep working on it? 

Nobody will ever see it. 

Nobody will ever see it.

I keep working on it even though I can never show it to anybody.

I keep working on it even though someone might get hurt.

Copyright © 2000 by Lloyd Schwartz. From Cairo Traffic (The University of Chicago Press, 2000). Appears courtesy of the author.

Love is a flame that burns with sacred fire, 
And fills the being up with sweet desire;
Yet, once the altar feels love’s fiery breath,
The heart must be a crucible till death.

Say love is life; and say it not amiss, 
That love is but a synonym for bliss.
Say what you will of love—in what refrain, 
But knows the heart, ‘tis but a word for pain.

This poem is in the public domain. Published in Poem-a-Day on October 20, 2019, by the Academy of American Poets.

Dark as a demon’s dream is one I love—
In soul—but oh, how beautiful in form!
She glows like Venus throned in joy above,
Or on the crimson couch of Evening warm
Reposing her sweet limbs, her heaving breast
Unveiled to him who lights the golden west!
Ah, me, to be by that soft hand carest,
To feel the twining of that snowy arm,
To drink that sigh with richest love opprest,
To bathe within that sunny sea of smiles,
To wander in that wilderness of wiles
And blissful blandishments—it is to thrill
With subtle poison, and to feel the will
Grow weak in that which all the veins doth fill.
Fair sorceress! I know she spreads a net
The strong, the just, the brave to snare; and yet
My soul cannot, for its own sake, forget
The fascinating glance which flings its chain
Around my quivering heart and throbbing brain,
And binds me to my painful destiny,
As bird, that soars no more on high,
Hangs trembling on the serpent’s doomful eye.

This poem is in the public domain. Published in Poem-a-Day on November 17, 2018, by the Academy of American Poets.

I climbed to the crest,
And, fog-festooned,
The sun lay west
Like a crimson wound:

Like that wound of mine
Of which none knew,
For I’d given no sign
That it pierced me through.

This poem is in the public domain.

Love enters the body 

enters 
almost 
almost completely breaks and enters into the body 

already beaten and broken 

peaceful if breaking if breaking 
and entering the already broken is peaceful 

untouchable fortunately 
untouchable.

From Is Music by John Taggart. Copyright © 2010 by John Taggart. Used by permission of the Copper Canyon Press.