but in this poem nothing dies.
Alone in the poem, I make myself
brave. No—I show brave
to my body, take both to the ocean.
Come hurricane, come rip current,
come toxic algal bloom.
In March, I drift past the estuary
to watch an eight-foot dolphin
lap the Mill River
like a cat pacing a bathtub,
sick and disoriented.
Biologists will unspool her empty intestines,
weigh her gray cerebellum.
She swam a great distance to die
alone. I’m sorry—I lied. I can’t control
what lives or dies. I need a place
to stow my brain. To hold
each moment close as a sand flea
caught in my knuckle hairs.
Please, someone—
tell me a poem can coax
oil from a sea bird’s throat.
Tell me what to do
with my hands—my hands—
what can my hands do now?
Copyright © 2025 by Rachel Dillon. Originally published in Poem-a-Day on April 27, 2025, by the Academy of American Poets.
III
Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and
changing everything carefully
spring is like a perhaps
Hand in a window
(carefully to
and fro moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and
without breaking anything.
Copyright 1923, 1925, 1951, 1953, © 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976 by George J. Firmage. From The Complete Poems: 1904-1962 by E. E. Cummings, Edited by George J. Firmage. Reprinted by permission of Liveright Publishing Corporation. All rights reserved.