This path our people walked
one hundred two hundred              endless years
since the tall grass opened for us
and we breathed the incense that sun on prairie
                                                             offers to sky

Peace offering with each breath
each footstep           out of woods
to grasslands plotted with history
removal   remediation                     restoration

Peace flag of fringed prairie orchid
green glow within white froth
calling a moth who nightly
seeks the now-rare scent                 invisible to us

invisible history of this place
where our great-grandfather         a boy
beside two priests and 900 warriors
gaze intent in an 1870 photo         
                                                             his garments white as orchids

Peace flag                                           white banner with red cross
crowned with thorns                       held by a boy              
at the elbow of a priest   
beside Ojibwe warriors                   beside Dakota warriors

Peace offered after smoke and dance
and Ojibwe gifts of elaborate beaded garments
thrown back in refusal  
by Dakota Warriors                         torn with grief  
                                                             since their brother’s murder

This is the path our people ran
through white flags of prairie plants
Ojibwe calling Dakota back
to sign one last and unbroken treaty

Peace offering with each breath
each footstep                out of woods
to grasslands plotted with history
removal   remediation                     restoration

Two Dakota    held up as great men
humbled themselves
to an offer of peace
before a long walk south

before our people entered the trail
walking west and north
                                                           where you walk now
where we seek the source

the now-rare scent
invisible as history
history the tall grass opens for us
                                                            Breathe the incense of sun on prairie
                                                            Offer peace to the sky

 

Copyright © 2016 by Heid E. Erdrich. This poem was commissioned by the Academy of American Poets and funded by a National Endowment for the Arts Imagine Your Parks grant.

for Cosetta

Once there were coyotes, cardinals
in the cedar. You could cure amnesia
with the trees of our back-forty. Once
I drowned in a monsoon of frogs—
Grandma said it was a good thing, a promise
for a good crop. Grandma’s perfect tomatoes.
Squash. She taught us to shuck corn, laughing,
never spoke about her childhood
or the faces in gingerbread tins
stacked in the closet.

She was covered in a quilt, the Creek way.
But I don’t know this kind of burial:
vanishing toads, thinning pecan groves,
peach trees choked by palms.
New neighbors tossing clipped grass
over our fence line, griping to the city
of our overgrown fields.

Grandma fell in love with a truck driver,
grew watermelons by the pond
on our Indian allotment,
took us fishing for dragonflies.
When the bulldozers came
with their documents from the city
and a truckload of pipelines,
her shotgun was already loaded.

Under the bent chestnut, the well
where Cosetta’s husband
hid his whiskey—buried beneath roots
her bundle of beads. They tell
the story of our family.
Cosetta’s land
flattened to a parking lot.

Grandma potted a cedar sapling
I could take on the road for luck.
She used the bark for heart lesions
doctors couldn’t explain.
To her they were maps, traces of home,
the Milky Way, where she’s going, she said.

After the funeral
I stowed her jewelry in the ground,
promised to return when the rivers rose.

On the grassy plain behind the house
one buffalo remains.

Along the highway’s gravel pits
sunflowers stand in dense rows.
Telephone poles crook into the layered sky.
A crow’s beak broken by a windmill’s blade.
It is then I understand my grandmother:
When they see open land
they only know to take it.

I understand how to walk among hay bales
looking for turtle shells.
How to sing over the groan of the county road
widening to four lanes.
I understand how to keep from looking up:
small planes trail overhead
as I kneel in the Johnson grass
combing away footprints.

Up here, parallel to the median
with a vista of mesas’ weavings,
the sky a belt of blue and white beadwork,
I see our hundred and sixty acres
stamped on God’s forsaken country,
a roof blown off a shed,
beams bent like matchsticks,
a drove of white cows
making their home
in a derailed train car.

From Leaving Tulsa (University of Arizona Press, 2013). Copyright © 2013 by Jennifer Foerster. Used with the permission of the author.