This path our people walked
one hundred two hundred endless years
since the tall grass opened for us
and we breathed the incense that sun on prairie
offers to sky
Peace offering with each breath
each footstep out of woods
to grasslands plotted with history
removal remediation restoration
Peace flag of fringed prairie orchid
green glow within white froth
calling a moth who nightly
seeks the now-rare scent invisible to us
invisible history of this place
where our great-grandfather a boy
beside two priests and 900 warriors
gaze intent in an 1870 photo
his garments white as orchids
Peace flag white banner with red cross
crowned with thorns held by a boy
at the elbow of a priest
beside Ojibwe warriors beside Dakota warriors
Peace offered after smoke and dance
and Ojibwe gifts of elaborate beaded garments
thrown back in refusal
by Dakota Warriors torn with grief
since their brother’s murder
This is the path our people ran
through white flags of prairie plants
Ojibwe calling Dakota back
to sign one last and unbroken treaty
Peace offering with each breath
each footstep out of woods
to grasslands plotted with history
removal remediation restoration
Two Dakota held up as great men
humbled themselves
to an offer of peace
before a long walk south
before our people entered the trail
walking west and north
where you walk now
where we seek the source
the now-rare scent
invisible as history
history the tall grass opens for us
Breathe the incense of sun on prairie
Offer peace to the sky
Copyright © 2016 by Heid E. Erdrich. This poem was commissioned by the Academy of American Poets and funded by a National Endowment for the Arts Imagine Your Parks grant.
for Cosetta
Once there were coyotes, cardinals
in the cedar. You could cure amnesia
with the trees of our back-forty. Once
I drowned in a monsoon of frogs—
Grandma said it was a good thing, a promise
for a good crop. Grandma’s perfect tomatoes.
Squash. She taught us to shuck corn, laughing,
never spoke about her childhood
or the faces in gingerbread tins
stacked in the closet.
She was covered in a quilt, the Creek way.
But I don’t know this kind of burial:
vanishing toads, thinning pecan groves,
peach trees choked by palms.
New neighbors tossing clipped grass
over our fence line, griping to the city
of our overgrown fields.
Grandma fell in love with a truck driver,
grew watermelons by the pond
on our Indian allotment,
took us fishing for dragonflies.
When the bulldozers came
with their documents from the city
and a truckload of pipelines,
her shotgun was already loaded.
Under the bent chestnut, the well
where Cosetta’s husband
hid his whiskey—buried beneath roots
her bundle of beads. They tell
the story of our family. Cosetta’s land
flattened to a parking lot.
Grandma potted a cedar sapling
I could take on the road for luck.
She used the bark for heart lesions
doctors couldn’t explain.
To her they were maps, traces of home,
the Milky Way, where she’s going, she said.
After the funeral
I stowed her jewelry in the ground,
promised to return when the rivers rose.
On the grassy plain behind the house
one buffalo remains.
Along the highway’s gravel pits
sunflowers stand in dense rows.
Telephone poles crook into the layered sky.
A crow’s beak broken by a windmill’s blade.
It is then I understand my grandmother:
When they see open land
they only know to take it.
I understand how to walk among hay bales
looking for turtle shells.
How to sing over the groan of the county road
widening to four lanes.
I understand how to keep from looking up:
small planes trail overhead
as I kneel in the Johnson grass
combing away footprints.
Up here, parallel to the median
with a vista of mesas’ weavings,
the sky a belt of blue and white beadwork,
I see our hundred and sixty acres
stamped on God’s forsaken country,
a roof blown off a shed,
beams bent like matchsticks,
a drove of white cows
making their home
in a derailed train car.
From Leaving Tulsa (University of Arizona Press, 2013). Copyright © 2013 by Jennifer Foerster. Used with the permission of the author.