This is my first memory: A big room with heavy wooden tables that sat on a creaky wood floor A line of green shades—bankers’ lights—down the center Heavy oak chairs that were too low or maybe I was simply too short For me to sit in and read So my first book was always big In the foyer up four steps a semi-circle desk presided To the left side the card catalogue On the right newspapers draped over what looked like a quilt rack Magazines face out from the wall The welcoming smile of my librarian The anticipation in my heart All those books—another world—just waiting At my fingertips.
"My First Memory (of Librarians)" from Acolytes by Nikki Giovanni. Copyright © 2007 by Nikki Giovanni. Used by permission of HarperCollins Publishers.
Ink runs from the corners of my mouth.
There is no happiness like mine.
I have been eating poetry.
The librarian does not believe what she sees.
Her eyes are sad
and she walks with her hands in her dress.
The poems are gone.
The light is dim.
The dogs are on the basement stairs and coming up.
Their eyeballs roll,
their blond legs burn like brush.
The poor librarian begins to stamp her feet and weep.
She does not understand.
When I get on my knees and lick her hand,
she screams.
I am a new man.
I snarl at her and bark.
I romp with joy in the bookish dark.
From Collected Poems by Mark Strand. Copyright © 2014 by Mark Strand. Excerpted by permission of Alfred A. Knopf, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
for Octavio There's a book called "A Dictionary of Angels." No one has opened it in fifty years, I know, because when I did, The covers creaked, the pages Crumbled. There I discovered The angels were once as plentiful As species of flies. The sky at dusk Used to be thick with them. You had to wave both arms Just to keep them away. Now the sun is shining Through the tall windows. The library is a quiet place. Angels and gods huddled In dark unopened books. The great secret lies On some shelf Miss Jones Passes every day on her rounds. She's very tall, so she keeps Her head tipped as if listening. The books are whispering. I hear nothing, but she does.
From Sixty Poem by Charles Simic. Copyright © 2008 by Charles Simic. Reprinted by permission of Harcourt Trade Publishers. All rights reserved.
The library is dangerous—
Don’t go in. If you do
You know what will happen.
It’s like a pet store or a bakery—
Every single time you’ll come out of there
Holding something in your arms.
Those novels with their big eyes.
And those no-nonsense, all muscle
Greyhounds and Dobermans,
All non-fiction and business,
Cuddly when they’re young,
But then the first page is turned.
The doughnut scent of it all, knowledge,
The aroma of coffee being made
In all those books, something for everyone,
The deli offerings of civilization itself.
The library is the book of books,
Its concrete and wood and glass covers
Keeping within them the very big,
Very long story of everything.
The library is dangerous, full
Of answers. If you go inside,
You may not come out
The same person who went in.
Copyright © 2017 by Alberto Ríos. Used with the permission of the author.
The library is dangerous—
Don’t go in. If you do
You know what will happen.
It’s like a pet store or a bakery—
Every single time you’ll come out of there
Holding something in your arms.
Those novels with their big eyes.
And those no-nonsense, all muscle
Greyhounds and Dobermans,
All non-fiction and business,
Cuddly when they’re young,
But then the first page is turned.
The doughnut scent of it all, knowledge,
The aroma of coffee being made
In all those books, something for everyone,
The deli offerings of civilization itself.
The library is the book of books,
Its concrete and wood and glass covers
Keeping within them the very big,
Very long story of everything.
The library is dangerous, full
Of answers. If you go inside,
You may not come out
The same person who went in.
Copyright © 2017 by Alberto Ríos. Used with the permission of the author.
Not every day but most days that summer I went calmly and quietly and climbed to the sixth floor of the library and walked not fast and not slow but with purpose down the last row and reached almost without looking to the same place on the shelf and pulled out the large book and carried it to a chair that looks out toward the ridge, to a mountain that is there, whether it is or it isn’t, the mountain people love, maybe for this, love and die with all their love, trying, and I opened to the page where I left off before, and sometimes the library announced it was closing, sometimes I got hungry, sometimes it looked like rain, and I’d close the book and carry it again, with purpose, back to its exact place on the shelf, and I’d walk down the stairs and out of the building, and it was like I’d left it ticking.
Copyright © 2017 Jill Osier. Used with permission of the author. This poem originally appeared in The Southern Review (Summer 2017).