It didn't weep the way a willow should.
Planted all alone in the middle of the field
by the bachelor who sold our house to us,
shoulder height when our daughter was born,
it grew eight feet a year until it blocked
the view through the first-, then the second-
story windows, its straggly canopy obstructing
our sunrise and moonrise over Max Gray Road.
I gave it the evil eye, hoping lightning
would strike it, the way a bolt had split
the butternut by the barn. And if leaf blight
or crown gall or cankers didn’t kill it, then
I'd gladly pay someone to chop it down.
My daughter said no, she loved that tree,
and my husband agreed. One wet Sunday—
the rainiest July since 1885—
husband napping, daughter at a matinee
in town—a wind shear barreled up the hill
so loud I glanced up from my mystery
the moment the willow leaned, bowed,
and fell over flat on its back, roots and all,
splayed on the ground like Gulliver.
The house shook, just once.
Later, when the sun came out, neighbors
came to gawk; they chain-sawed thicker
branches, wrapped chains around the trunk,
their backhoe ripped out pieces of stump
and root as if extracting a rotten tooth.
I'm not sorry that tree is gone. No one
ever sat under it for shade or contemplation.
Yet spring after spring it reliably leafed out.
It was always the last to lose its leaves
in fall. It should have died a decade ago
for all the grief I gave it, my dirty looks
apparently the fuel on which it thrived.
It must have done its weeping in private.
But now I can see the slope of the hill.
Did my wishful thinking cast a spell?
I was the only one on earth who saw it fall.

From That Said by Jane Shore. Copyright © 2012 by Jane Shore. Reprinted with permission of Houghton Mifflin Harcourt. All rights reserved.

     Today some things worked as they were meant to.
A big spring wind came up and blew down
     from the verdant neighborhood trees,
millions of those little spinning things,
     with seeds inside, and my heart woke up alive again too,
as if the brain could be erased of its angry hurt;
     fat chance of that, yet
things sometimes work as they were meant,
     like the torturer who finally can’t sleep,
or the god damn moon
     who sees everything we do
and who still comes up behind clouds
     spread out like hands to keep the light away.

Copyright © 2006 by Bruce Weigl. From Declension in the Village of Chung Luong (Ausable Press, 2006). Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database

White with daisies and red with sorrel
   And empty, empty under the sky!—
Life is a quest and love a quarrel—
   Here is a place for me to lie.

Daisies spring from damnèd seeds,
   And this red fire that here I see
Is a worthless crop of crimson weeds,
   Cursed by farmers thriftily.

But here, unhated for an hour,
   The sorrel runs in ragged flame,
The daisy stands, a bastard flower,
   Like flowers that bear an honest name.

And here a while, where no wind brings
   The baying of a pack athirst,
May sleep the sleep of blessèd things,
   The blood too bright, the brow accurst.

This poem was originally published in Second April (1921). This poem is in the public domain. 

O my luve's like a red, red rose,
That's newly sprung in June;
O my luve's like the melodie
That's sweetly played in tune.

As fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a' the seas gang dry.

Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun:
O I will love thee still, my dear,
While the sands o' life shall run.

And fare thee weel, my only luve,
And fare thee weel awhile!
And I will come again, my luve,
Though it were ten thousand mile.



 

Ah! sunflower, weary of time,
Who countest the steps of the sun,
Seeking after that sweet golden clime
Where the traveller’s journey is done;

Where the youth pined away with desire,
And the pale virgin shrouded in snow,
Arise from their graves and aspire;
Where my sunflower wishes to go.

This poem is in the public domain.