I’m sorry I’m taking the car to the airport that is closer to,
rather than farther away from, the oncoming hurricane. 
In the parking garage of my love for you, I circle around
quietly, looking for a space to put the day’s best guesses, 
one not too far from the kiosk of you, standing mute and 
ready to hand me a small slip of paper that reads  I’m sorry
I can’t tell you what I want.  So we’re both mildly apologetic 
all the time, which is a small courtesy, two pulsars fanning
light at one another in bursts detectable years later. Why
won’t you take this bundle of daffodils. Why have the 
daffodils turned into dirty forks. I’m sorry about my socks.
See, there I go again. In the backyard, a vine from next
door has crawled up and over the fence and has flourished
there, a great nest of green six feet off the ground. I’d
trim it, but you’re holding the hedge clippers against your
hair. You’re saying that your hair is morning glories and 
you’d like to keep the morning glories if possible. I don’t 
even know what morning glories are exactly; my mother
is an excellent gardener but I have neither her memory for
color nor your cataloguing tendencies and it’s late in the day
and I’m sorry for that. It’s difficult to hold you in this
shaft of light when you keep taking three steps away and 
sitting down in the nearest chair, one hand on each knee
like a monument. It’s difficult to feel your body against
my side in sleep, the desires it holds distant and tired, 
like an animal that has walked too far in an inhospitable
climate. I am full of water but as thirst is a form of 
suffering, I would not wish it upon you. Instead, I will
work my way through your dreaming, which I know is of
endless snow fields. I will wait in this puddle of melt. 
Perhaps, one day, you will come to me with your skin 
near to brittle from the cold you love so much. Perhaps on 
that day we can begin to think together about the seasons, 
about how spring can also arrive in precision, if you let it.

As when the hunt by holt and field
   Drives on with horn and strife,
Hunger of hopeless things pursues
   Our spirits throughout life.

The sea's roar fills us aching full
   Of objectless desire—
The sea's roar, and the white moon-shine,
   And the reddening of the fire.

Who talks to me of reason now?
   It would be more delight
To have died in Cleopatra's arms
   Than be alive to-night.

At school he studies the human body:
aorta, valve, muscle, vein.
At home he redesigns it
out of cardboard and twine
until it looks like a coat he might hang
on a hook with other missing coats.

First, forget everything you have learned,
that poetry is difficult,
that it cannot be appreciated by the likes of you,
with your high school equivalency diploma
and steel-tipped boots,
or your white collar misunderstandings.

Do not assume meanings hidden from you:
the best poems mean what they say and say it.

To read poetry requires only courage
enough to leap from the edge
and trust. 

Treat a poem like dirt,
humus rich and heavy from the garden.
Later on it will become the fat tomatoes
and golden squash piled high upon your kitchen table.

Poetry demands surrender,
language saying what is true
doing holy things to the ordinary.

Read just one poem a day.
Someday a book of poems may open in your hands
like a daffodil offering its cup
to the sun.

When you can name five poets
without including Bob Dylan,
when you exceed your quota
and don't even notice,
close this manual.

Congratulations.
You can now read poetry.