I thought I could stop

time by taking apart

the clock. Minute hand. Hour hand.

Nothing can keep. Nothing

is kept. Only kept track of. I felt

passing seconds

accumulate like dead calves

in a thunderstorm

of the mind no longer a mind

but a page torn

from the dictionary with the definition of self

effaced. I couldn’t face it: the world moving

on as if nothing happened.

Everyone I knew got up. Got dressed.

Went to work. Went home.

There were parties. Ecstasy.

Hennessy. Dancing

around each other. Bluntness. Blunts

rolled to keep

thought after thought

from roiling

like wind across water—

coercing shapelessness into shape.

I put on my best face.

I was glamour. I was grammar.

Yet my best couldn’t best my beast.

I, too, had been taken apart.

I didn’t want to be

fixed. I wanted everything dismantled and useless

like me. Case. Wheel. Hands. Dial. Face.

Copyright © 2020 by Paul Tran. Originally published in Poem-a-Day on March 9, 2020, by the Academy of American Poets.

This is not a small voice
you hear               this is a large
voice coming out of these cities.
This is the voice of LaTanya.
Kadesha. Shaniqua. This
is the voice of Antoine.
Darryl. Shaquille.
Running over waters
navigating the hallways
of our schools spilling out
on the corners of our cities and
no epitaphs spill out of their river mouths.

This is not a small love
you hear               this is a large
love, a passion for kissing learning
on its face.
This is a love that crowns the feet with hands
that nourishes, conceives, feels the water sails
mends the children,
folds them inside our history where they
toast more than the flesh
where they suck the bones of the alphabet
and spit out closed vowels.
This is a love colored with iron and lace.
This is a love initialed Black Genius.

This is not a small voice
you hear.

From Wounded in the House of a Friend. Copyright © 1995 by Sonia Sanchez. Used with the permission of Beacon Press.