We'll say unbelievable things to each other in the early morning— our blue coming up from our roots, our water rising in our extraordinary limbs. All night I dreamt of bonfires and burn piles and ghosts of men, and spirits behind those birds of flame. I cannot tell anymore when a door opens or closes, I can only hear the frame saying, Walk through. It is a short walkway— into another bedroom. Consider the handle. Consider the key. I say to a friend, how scared I am of sharks. How I thought I saw them in the creek across from my street. I once watched for them, holding a bundle of rattlesnake grass in my hand, shaking like a weak-leaf girl. She sends me an article from a recent National Geographic that says, Sharks bite fewer people each year than New Yorkers do, according to Health Department records. Then she sends me on my way. Into the City of Sharks. Through another doorway, I walk to the East River saying, Sharks are people too. Sharks are people too. Sharks are people too. I write all the things I need on the bottom of my tennis shoes. I say, Let's walk together. The sun behind me is like a fire. Tiny flames in the river's ripples. I say something to God, but he's not a living thing, so I say it to the river, I say, I want to walk through this doorway But without all those ghosts on the edge, I want them to stay here. I want them to go on without me. I want them to burn in the water.
From Sharks in the Rivers by Ada Limón. Copyright © 2010 by Ada Limón. Used by permission of Milkweed Editions. All rights reserved.
It was a lean-to one could live in
so long as it never rained. It was
a grain of salt close up, looking
like a crystal, growing from itself
like an outcrop of land. It was a sail
opened in a storm. A memory lost.
A coin tossed at the wrong time,
declaring heads or tails. It had the air
of an aristocrat or the stench of a skunk.
No matter who bred it, it couldn’t be fair.
It wasn’t a buoy. It kept no one up.
It had the metallic notice of a gong.
It was a thoroughbred raced too soon,
or a setting moon, or a button lost or
undone. It only had one track and
when it sped up it was sure to derail.
It had a smile for a satellite
or a smirk for a son. Everyone
thought they recognized its face,
but, one by one, they were wrong.
Copyright © 2020 by Jennifer Militello. originally published in The Nation, January 27, 2020. Reprinted by permission of the poet.
I drive to the gulf to outrun
his aura. The neurologist prescribed
little white pills I place under his tongue
to stop the seize. The ocean’s grey green
water is as still as a man before
he convulses. An aura comes as a breeze
and the line between this and that
is unclear. This buoy in the Gulf
of Mexico, that bird in the sky
of America, this wave laps the Gulf
of México, then breaks on the shores
of America. It’s always mattered
what we name a body when it’s whole,
in pieces we name each appendage.
A foam I’ve never seen collects
on the sand and I know I can’t go
for a swim. I want to move water
with magnets, clean it with charcoal
and a good net. There’s a woman whistling
on the beach. Her aura is bright and unforgiving.
She sings “America the Beautiful.”
She sings: From sea to every goddamn American sea.
I walk away but her song follows me,
carried on by some aura I can’t outrun.
The sky turns electrical—a zephyr lifts my hair.
You can’t help the epileptic once the seizure
starts. Turn them on their side and let it run.
Copyright © 2026 by Natalie Scenters-Zapico. Originally published in Poem-a-Day on January 21, 2026, by the Academy of American Poets.