Ladies and gentlemen, ghosts and children of the state,
I am here because I could never get the hang of Time.
This hour, for example, would be like all the others
were it not for the rain falling through the roof.
I’d better not be too explicit. My night is careless
with itself, troublesome as a woman wearing no bra
in winter. I believe everything is a metaphor for sex.
Lovemaking mimics the act of departure, moonlight
drips from the leaves. You can spend your whole life
doing no more than preparing for life and thinking.
"Is this all there is?" Thus, I am here where poets come
to drink a dark strong poison with tiny shards of ice,
something to loosen my primate tongue and its syllables
of debris. I know all words come from preexisting words
and divide until our pronouncements develop selves.
The small dog barking at the darkness has something to say
about the way we live. I’d rather have what my daddy calls
“skrimp.” He says “discrete” and means the street
just out of sight. Not what you see, but what you perceive:
that’s poetry. Not the noise, but its rhythm; an arrangement
of derangements; I’ll eat you to live: that’s poetry.
I wish I glowed like a brown-skinned pregnant woman.
I wish I could weep the way my teacher did as he read us
Molly Bloom’s soliloquy of yes. When I kiss my wife,
sometimes I taste her caution. But let’s not talk about that.
Maybe Art’s only purpose is to preserve the Self.
Sometimes I play a game in which my primitive craft fires
upon an alien ship whose intention is the destruction
of the earth. Other times I fall in love with a word
like somberness. Or moonlight juicing naked branches.
All species have a notion of emptiness, and yet
the flowers don’t quit opening. I am carrying the whimper
you can hear when the mouth is collapsed, the wisdom
of monkeys. Ask a glass of water why it pities
the rain. Ask the lunatic yard dog why it tolerates the leash.
Brothers and sisters, when you spend your nights
out on a limb, there’s a chance you’ll fall in your sleep.
From Lighthead by Terrance Hayes. Copyright © 2010 by Terrance Hayes. Used by permission of Penguin. All rights reserved.
The living come with grassy tread
To read the gravestones on the hill;
The graveyard draws the living still,
But never any more the dead.
The verses in it say and say:
“The ones who living come today
To read the stones and go away
Tomorrow dead will come to stay.”
So sure of death the marbles rhyme,
Yet can’t help marking all the time
How no one dead will seem to come.
What is it men are shrinking from?
It would be easy to be clever
And tell the stones: Men hate to die
And have stopped dying now forever.
I think they would believe the lie.
This poem is in the public domain. Published in Poem-a-Day on October 28, 2023, by the Academy of American Poets.
since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don’t cry
—the best gesture of my brain is less than
your eyelids’ flutter which says
we are for each other: then
laugh, leaning back in my arms
for life’s not a paragraph
And death i think is no parenthesis
This poem is in the public domain. Published in Poem-a-Day on April 16, 2022, by the Academy of American Poets.
Just a rainy day or two
In a windy tower,
That was all I had of you—
Saving half an hour.
Marred by greeting passing groups
In a cinder walk,
Near some naked blackberry hoops
Dim with purple chalk.
I remember three or four
Things you said in spite,
And an ugly coat you wore,
Plaided black and white.
Just a rainy day or two
And a bitter word.
Why do I remember you
As a singing bird?
This poem is in the public domain. Published in Poem-a-Day on January 25, 2020, by the Academy of American Poets.
Over the housetops,
Above the rotating chimney-pots,
I have seen a shiver of amethyst,
And blue and cinnamon have flickered
A moment,
At the far end of a dusty street.
Through sheeted rain
Has come a lustre of crimson,
And I have watched moonbeams
Hushed by a film of palest green.
It was her wings,
Goddess!
Who stepped over the clouds,
And laid her rainbow feathers
Aslant on the currents of the air.
I followed her for long,
With gazing eyes and stumbling feet.
I cared not where she led me,
My eyes were full of colours:
Saffrons, rubies, the yellows of beryls,
And the indigo-blue of quartz;
Flights of rose, layers of chrysoprase,
Points of orange, spirals of vermilion,
The spotted gold of tiger-lily petals,
The loud pink of bursting hydrangeas.
I followed,
And watched for the flashing of her wings.
In the city I found her,
The narrow-streeted city.
In the market-place I came upon her,
Bound and trembling.
Her fluted wings were fastened to her sides with cords,
She was naked and cold,
For that day the wind blew
Without sunshine.
Men chaffered for her,
They bargained in silver and gold,
In copper, in wheat,
And called their bids across the market-place.
The Goddess wept.
Hiding my face I fled,
And the grey wind hissed behind me,
Along the narrow streets.
This poem is in the public domain.