But there never was a black male hysteria
Breaking & entering wearing glee & sadness
And the light grazing my teeth with my lighter
To the night with the flame like a blade cutting
Me slack along the corridors with doors of offices
Orifices vomiting tears & fire with my two tongues
Loose & shooing under a high-top of language
In a layer of mischief so traumatized trauma
Delighted me beneath the tremendous
Stupendous horrendous undiscovered stars
Burning where I didn’t know how to live
My friends were all the wounded people
The black girls who held their own hands
Even the white boys who grew into assassins
Copyright © 2017 by Terrance Hayes. Originally published in Poem-a-Day on November 15, 2017, by the Academy of American Poets.
I wish I knew how
It would feel to be free
I wish I could break
All the chains holding me
—Nina Simone
today i am a black woman in america
& i am singing a melody ridden lullaby
it sounds like:
the gentrification of a brooklyn stoop
the rent raised three times my wages
the bodega and laundromat burned down on the corner
the people on the corner
each lock & key their chromosomes
a note of ash & inquiry on their tongues
today i am a black woman in a hopeless state
i will apply for financial aid and food stamps
with the same mouth i spit poems from
i will ask the angels of a creative god to lessen
the blows
& i will beg for forgiveness when i curse
the rising sun
today, i am a black woman in a body of coal
i am always burning and no one knows my name
i am a nameless fury, i am a blues scratched from
the throat of ms. nina—i am always angry
i am always a bumble hive of hello
i love like this too loudly, my neighbors
think i am an unforgiving bitter
sometimes, i think my neighbors are right
most times i think my neighbors are nosey
today, i am a cold country, a storm
brewing, a heat wave of a woman wearing
red pumps to the funeral of my ex-lover’s
today, i am a woman, a brown and black &
brew woman dreaming of freedom
today, i am a mother, & my country is burning
and i forget how to flee
from such a flamboyant backdraft
—i’m too in awe of how beautiful i look
on fire
Copyright © 2016 by Mahogany Browne. Originally published in Poem-a-Day on May 25, 2016, by the Academy of American Poets.
This is not a small voice
you hear this is a large
voice coming out of these cities.
This is the voice of LaTanya.
Kadesha. Shaniqua. This
is the voice of Antoine.
Darryl. Shaquille.
Running over waters
navigating the hallways
of our schools spilling out
on the corners of our cities and
no epitaphs spill out of their river mouths.
This is not a small love
you hear this is a large
love, a passion for kissing learning
on its face.
This is a love that crowns the feet with hands
that nourishes, conceives, feels the water sails
mends the children,
folds them inside our history where they
toast more than the flesh
where they suck the bones of the alphabet
and spit out closed vowels.
This is a love colored with iron and lace.
This is a love initialed Black Genius.
This is not a small voice
you hear.
From Wounded in the House of a Friend. Copyright © 1995 by Sonia Sanchez. Used with the permission of Beacon Press.
You might say fear is a predictable emotion & I might agree. Whenever my husband leaves for his graveyard shift, when he prepares to walk out into the abyss of black sky, I am afraid tonight will be the night I become a widow. I don't want to love like this. But here we are: walking hand in hand in our parkas down the avenues & he pulls away from me. I might be in some dreamy place, thinking of the roast chicken we just had, the coconut peas & rice he just cooked, & how the food has filled our bellies with delight. How many times can I speak about black men & an officer enters the scene? I don't want to love like this. But there is a gun in the holster & a hand on the gun in the holster & my husband's hands are no longer in his pockets because it is night & we are just trying to breathe in some fresh evening air, trying to be unpredictable, to forget fear for a moment & live in love & love.
Copyright © 2018 by DéLana R. A. Dameron. Originally published in Poem-a-Day on May 25, 2018, by the Academy of American Poets.
Is that Eric Garner worked
for some time for the Parks and Rec.
Horticultural Department, which means,
perhaps, that with his very large hands,
perhaps, in all likelihood,
he put gently into the earth
some plants which, most likely,
some of them, in all likelihood,
continue to grow, continue
to do what such plants do, like house
and feed small and necessary creatures,
like being pleasant to touch and smell,
like converting sunlight
into food, like making it easier
for us to breathe.
Copyright © 2015 by Ross Gay. Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database.