Work out. Ten laps.
Chin ups. Look good.
Steam room. Dress warm.
Call home. Fresh air.
Eat right. Rest well.
Sweetheart. Safe sex.
Sore throat. Long flu.
Hard nodes. Beware.
Test blood. Count cells.
Reds thin. Whites low.
Dress warm. Eat well.
Short breath. Fatigue.
Night sweats. Dry cough.
Loose stools. Weight loss.
Get mad. Fight back.
Call home. Rest well.
Don’t cry. Take charge.
No sex. Eat right.
Call home. Talk slow.
Chin up. No air.
Arms wide. Nodes hard.
Cough dry. Hold on.
Mouth wide. Drink this.
Breathe in. Breathe out.
No air. Breathe in.
Breathe in. No air.
Black out. White rooms.
Head hot. Feet cold.
No work. Eat right.
CAT scan. Chin up.
Breathe in. Breathe out.
No air. No air.
Thin blood. Sore lungs.
Mouth dry. Mind gone.
Six months? Three weeks?
Can’t eat. No air.
Today? Tonight?
It waits. For me.
Sweet heart. Don’t stop.
Breathe in. Breathe out.
"Heartbeats" from Love's Instruments (Tia Chucha Press, 1995). Copyright © 1995 by Melvin Dixon. Used with the permission of the Estate of Melvin Dixon.
Wandering around the Albuquerque Airport Terminal, after learning
my flight had been delayed four hours, I heard an announcement:
"If anyone in the vicinity of Gate A-4 understands any Arabic, please
come to the gate immediately."
Well—one pauses these days. Gate A-4 was my own gate. I went there.
An older woman in full traditional Palestinian embroidered dress, just
like my grandma wore, was crumpled to the floor, wailing. "Help,"
said the flight agent. "Talk to her. What is her problem? We
told her the flight was going to be late and she did this."
I stooped to put my arm around the woman and spoke haltingly.
"Shu-dow-a, Shu-bid-uck Habibti? Stani schway, Min fadlick, Shu-bit-
se-wee?" The minute she heard any words she knew, however poorly
used, she stopped crying. She thought the flight had been cancelled
entirely. She needed to be in El Paso for major medical treatment the
next day. I said, "No, we're fine, you'll get there, just later, who is
picking you up? Let's call him."
We called her son, I spoke with him in English. I told him I would
stay with his mother till we got on the plane and ride next to
her. She talked to him. Then we called her other sons just
for the fun of it. Then we called my dad and he and she spoke for a while
in Arabic and found out of course they had ten shared friends. Then I
thought just for the heck of it why not call some Palestinian poets I know
and let them chat with her? This all took up two hours.
She was laughing a lot by then. Telling of her life, patting my knee,
answering questions. She had pulled a sack of homemade mamool
cookies—little powdered sugar crumbly mounds stuffed with dates and
nuts—from her bag—and was offering them to all the women at the gate.
To my amazement, not a single woman declined one. It was like a
sacrament. The traveler from Argentina, the mom from California, the
lovely woman from Laredo—we were all covered with the same powdered
sugar. And smiling. There is no better cookie.
And then the airline broke out free apple juice from huge coolers and two
little girls from our flight ran around serving it and they
were covered with powdered sugar, too. And I noticed my new best friend—
by now we were holding hands—had a potted plant poking out of her bag,
some medicinal thing, with green furry leaves. Such an old country tradi-
tion. Always carry a plant. Always stay rooted to somewhere.
And I looked around that gate of late and weary ones and I thought, This
is the world I want to live in. The shared world. Not a single person in that
gate—once the crying of confusion stopped—seemed apprehensive about
any other person. They took the cookies. I wanted to hug all those other women, too.
This can still happen anywhere. Not everything is lost.
Naomi Shihab Nye, "Gate A-4" from Honeybee. Copyright © 2008 by Naomi Shihab Nye. Reprinted with permission.
The grapefruit in the Florida orchard
has ripened into a globe in Hartford
for him to look at, not to eat.
If he had a tin can he would beat
it as a drummer in a band beats
his drum and steadily with a swish
and sometimes a gong. It’s his wish
to escape from gray walls and sky
into a Denmark of the inner eye
or a bullring south of the border
or a sky espied from the trenches
of a battlefield in Flanders. Wenches
wander into his wonderland. Order
is disorder squared. We are nowhere
else but here, yet live we do in metaphor
like that elegant square-shouldered matador.
Copyright © 2015 by David Lehman. Originally published in Poem-a-Day on March 30, 2015, by the Academy of American Poets.
When the starvation-hair appears
all over my body, you call it fascinating,
which is not the same as beautiful.
I never decide what to wish for first,
food or you. Or rather, eating food again
or never again eating you. Your favorite part
of me, my cupped hipbone, empty
as a half mango scooped clean of its flesh.
Your least favorite part, my hunger.
I learn to fill myself with other things:
the julienned light in the bedroom, mouthfuls
of Debussy from the old piano, the endless suck
of the toilet, which, bravely, never stops running.
Even vowels become impossible luxuries,
so round they seem indulgent against my tongue.
I consider violence after hearing that on death row
you get one last perfect meal. I imagine the photo
in the newspaper story, where I look so
beautiful.
I think of the woman in the Bible
who asks for John’s head on a platter.
Maybe she was only hungry.
Maybe she wanted to be satisfied.
From Santa Tarantula (University of Notre Dame Press, 2024) by Jordan Pérez. Copyright © 2024 by Jordan Pérez. Used with the permission of the publisher.
It was the summer of Chandra Levy, disappearing from Washington D.C., her lover a Congressman, evasive and blow-dried from Modesto, the TV wondering in every room in America to an image of her tight jeans and piles of curls frozen in a studio pose. It was the summer the only woman known as a serial killer, a ten-dollar whore trolling the plains of central Florida, said she knew she would kill again, murder filled her dreams and if she walked in the world, it would crack her open with its awful wings. It was the summer that in Texas, another young woman killed her five children, left with too many little boys, always pregnant. One Thanksgiving, she tried to slash her own throat. That summer the Congressman lied again about the nature of his relations, or, as he said, he couldn't remember if they had sex that last night he saw her, but there were many anonymous girls that summer, there always are, who lower their necks to the stone and pray, not to God but to the Virgin, herself once a young girl, chosen in her room by an archangel. Instead of praying, that summer I watched television, reruns of a UFO series featuring a melancholic woman detective who had gotten cancer and was made sterile by aliens. I watched infomercials: exercise machines, pasta makers, and a product called Nails Again With Henna, ladies, make your nails steely strong, naturally, and then the photograph of Chandra Levy would appear again, below a bright red number, such as 81, to indicate the days she was missing. Her mother said, please understand how we're feeling when told that the police don't believe she will be found alive, though they searched the parks and forests of the Capitol for the remains and I remembered being caught in Tennessee, my tent filled with wind lifting around me, tornado honey, said the operator when I called in fear. The highway barren, I drove to a truck stop where maybe a hundred trucks hummed in pale, even rows like eggs in a carton. Truckers paced in the dining room, fatigue in their beards, in their bottomless cups of coffee. The store sold handcuffs, dirty magazines, t-shirts that read, Ass, gas or grass. Nobody rides for free, and a bulletin board bore a public notice: Jane Doe, found in a refrigerator box outside Johnson, TN, her slight measurements and weight. The photographs were of her face, not peaceful in death, and of her tattoos Born to Run, and J.T. caught in scrollworks of roses. One winter in Harvard Square, I wandered drunk, my arms full of still warm, stolen laundry, and a man said come to my studio and of course I went— for some girls, our bodies are not immortal so much as expendable, we have punished them or wearied from dragging them around for so long and so we go wearing the brilliant plumage of the possibly freed by death. Quick on the icy sidewalks, I felt thin and fleet, and the night made me feel unique in the eyes of the stranger. He told me he made sculptures of figure skaters, not of the women's bodies, but of the air that whipped around them, a study of negative space, which he said was the where-we-were-not that made us. Dizzy from beer, I thought why not step into that space? He locked the door behind me.
From Rare High Meadow of Which I Might Dream by Connie Voisine. Copyright © 2008 by Connie Voisine. Used by permission of University of Chicago Press. All rights reserved.