The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time
The world is a beautiful place
to be born into
if you don’t mind some people dying
all the time
or maybe only starving
some of the time
which isn’t half so bad
if it isn’t you
Oh the world is a beautiful place
to be born into
if you don’t much mind
a few dead minds
in the higher places
or a bomb or two
now and then
in your upturned faces
or such other improprieties
as our Name Brand society
is prey to
with its men of distinction
and its men of extinction
and its priests
and other patrolmen
and its various segregations
and congressional investigations
and other constipations
that our fool flesh
is heir to
Yes the world is the best place of all
for a lot of such things as
making the fun scene
and making the love scene
and making the sad scene
and singing low songs of having
inspirations
and walking around
looking at everything
and smelling flowers
and goosing statues
and even thinking
and kissing people and
making babies and wearing pants
and waving hats and
dancing
and going swimming in rivers
on picnics
in the middle of the summer
and just generally
‘living it up’
Yes
but then right in the middle of it
comes the smiling
mortician
From A Coney Island of the Mind, copyright © 1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.
1.
If you run for too long, you forget everything.
Even your limbs become invention. A fallacy of skin
you tell yourself you once had when you knew
how to be more, so birds are the stories you now tell
your flesh. You remind her of the Swift
who flies for years, as if land is an impossible trick. You tell
her about the Sea Eagle from China lost
in America for years. Flying and flying and never
finding home. You remember her the ʻAlauahio, the ʻŌʻō,
the Olomaʻo, the Kākāwahie, the ʻĀkepa, the Nukupuʻu
the ʻŌʻū, the Mamo, the ʻUla-ʻai-hawane, the Poʻo-uli,
the Kāmaʻo, the ʻAmaui, the birds, the birds,
the birds. You remember her all the birds
who had to be more
to be.
2.
This morning I am unsure how
a bird exists when she has been seen only
under glass for more than fifty years. Her feathers
a feeble reminder of what she could be. Diminished
to a hush of keratin and collagen. This bird
once shook the forest with her color.
3.
This morning I am not sure how
I am still here. Daybreak—
just another process of shedding
of peeling back to meat
with no new skin to shelter.
Every breath, a surprise.
The heart beats still.
But how—how do we quiet
these too loud bones
when our seams are worn
by so much running?
4.
When you finally stop
you still feel your insides running.
Those involuntary tissues scrambling
to burst through your surfaces. What
would you do to let them free? When all of you
is full of run, you imagine yourself feathers.
There is a bird inside you pushing
at all your cracks. The punctures of vanes
are just more places for you to breathe.
This bird inside you would know
how to draw breath. This bird inside you
would know the song struggling
in your throat. What will you do
to let this bird free? What will you do
to find all the songs
you should sing?
5.
Today we remember the Kākāwahie.
we remember the ʻAlauahio, the ʻŌʻō,
the Olomaʻo, the ʻĀkepa, the Nukupuʻu
the ʻŌʻū, the Mamo, the ʻUla-ʻai-hawane,
the Poʻo-uli, the Kāmaʻo, the ʻAmaui.
Today we remember our body
before we severed our own wings
just so we could hide
from the man
in the story
who would pin
all our wings
to the ground.
Copyright © 2024 by Lyz Soto. Originally published in Poem-a-Day on May 27, 2024, by the Academy of American Poets.