Winter Stores

We take from life one little share,
   And say that this shall be
A space, redeemed from toil and care,
   From tears and sadness free.

And, haply, Death unstrings his bow,
   And Sorrow stands apart,
And, for a little while, we know
   The sunshine of the heart.

Existence seems a summer eve,
   Warm, soft, and full of peace;
Our free, unfettered feelings give
   The soul its full release.

A moment, then, it takes the power
   To call up thoughts that throw
Around that charmed and hallowed hour,
   This life’s divinest glow.

But Time, though viewlessly it flies,
   And slowly, will not stay;
Alike, through clear and clouded skies,
   It cleaves its silent way.

Alike the bitter cup of grief,
   Alike the draught of bliss,
Its progress leaves but moment brief
   For baffled lips to kiss.

The sparkling draught is dried away,
   The hour of rest is gone,
And urgent voices, round us, say,
   “Ho, lingerer, hasten on!”

And has the soul, then, only gained,
   From this brief time of ease,
A moment’s rest, when overstrained,
   One hurried glimpse of peace?

No; while the sun shone kindly o’er us,
   And flowers bloomed round our feet, —
While many a bud of joy before us
   Unclosed its petals sweet, —

An unseen work within was plying;
   Like honey-seeking bee,
From flower to flower, unwearied, flying,
   Laboured one faculty, —

Thoughtful for Winter’s future sorrow,
   Its gloom and scarcity;
Prescient to-day of want to-morrow,
   Toiled quiet Memory.

’Tis she that from each transient pleasure
    Extracts a lasting good;
’Tis she that finds, in summer, treasure
    To serve for winter’s food.

And when Youth’s summer day is vanished,
   And Age brings winter’s stress,
Her stores, with hoarded sweets replenished,
   Life’s evening hours will bless.

Credit

This poem is in the public domain. Published in Poem-a-Day on December 21, 2024, by the Academy of American Poets.

About this Poem

“Winter Stores” was originally written in 1846 by Charlotte Brontë and appeared in The Poems of Charlotte Brontë (White & Stokes, 1882). In her essay, “Gender and Poetic Tradition: The Shaping of Charlotte Brontë’s Literary Career,” associate professor of English at the University of Minnesota, Carol A. Bock, noted that “through the prolonged, even habitual practice of literary imitation, Brontë gradually shaped her understanding of poetry and of herself as a poet within the context of the tradition she emulated. Her exposure to the Romantic and pre-Romantic poets was thus a central—and complicating—factor in the creation of her poetic identity, for in imitating her predecessors she articulated and absorbed the conflicting values of early Romanticism. With respect to the question of poetic identity, Brontë’s most important inheritance from her literary precursors was a sharply divided understanding of both the nature of the poet and the value of the poetic imagination.”