When the Fact of Your Gaze Means Nothing, Then You Are Truly Alongside
late spring wind sounds an ocean
through new leaves. later the same
wind sounds a tide. later still the dry
sound of applause: leaves chapped
falling, an ending. this is a process.
the ocean leaping out of ocean
should be enough. the wind
pushing the water out of itself;
the water catching the light
should be enough. I think this
on the deck of one boat
then another. I think this
in the Salish, thought it in Stellwagen
in the Pacific. the water leaping
looks animal, looks open mouthed,
looks toothed and rolling;
the ocean an animal full
of other animals.
what I am looking for doesn’t matter.
that I am looking doesn’t matter.
I exert no meaning.
a juvenile bald eagle eats
a harbor seal’s placenta.
its head still brown.
this is a process. the land
jutting out, seals hauled out,
the white-headed eagles lurking
ready to take their turn at what’s left.
the lone sea otter on its back,
toes flopped forward and curled;
Friday Harbor: the phone booth
the ghost snare of a gray whale’s call;
an orca’s tooth in an orca’s skull
mounted inside the glass box.
remains. this is a process.
three river otters, two adults, a pup,
roll like logs parallel to the shore.
two doe, three fawns. a young buck
stares, its antlers new, limned gold
in sunset. then the wind again:
a wave through leaves green
with deep summer, the walnut’s
green husk. we are alive in a green
crashing world. soon winter.
the boat forgotten. the oceans,
their leaping animal light, off screen.
past. future. this is a process. the eagles
at the river’s edge cluster
in the bare tree. they steal fish
from ducks. they eat the hunter’s
discards: offal and lead. the juveniles
practice fighting, their feet tangle
midair before loosing. this
is a process. where they came from.
for how long will they stay.
that I am looking doesn’t matter.
I will impose no meaning.
From You Are Here: Poetry in the Natural World (Milkweed Editions, 2024), edited by Ada Limón. Copyright © 2024 Milkweed Editions and the Library of Congress. Used with the permission of the author. Published in Poem-a-Day on April 6, 2024, by the Academy of American Poets.
“This poem is about taking comfort in not being at the center. The other animals with whom we share this world have a lot going on that doesn’t have anything to do with us, some of which I have been grateful to witness.”
—Donika Kelly