what can I know what should I do what may I hope
one can repeat anything they like
it’s just dead now and beaten
there’s a wire
in the belt of my brain
and don’t smoke
you difficult person
there’s a wire
picking up missiles on the strip
breaking space and time with
an iron sound iron sound
I can’t go to sleep or unsee life ,
time makes change possible and
is currently menacing . in this way ,
one learns the simple , vertiginous
depth of problems , the dead weight
of forms and the hyenic laughter
of matthew miller which all meaning
requires one to reject – the content of life
is essentially general , not actually . a little fear of god ,
and the heat currents shutting down ,
all shot through with the arrows of slavery
and white phosphorus . it’s a total
global project . the fish are still full of mercury –
he said it cuz he didn’t like it ,
and now we have to dislike it forward ,
with all the implications bursting . I can’t shut my eyes ,
babies with flies on they face – and writing
with the song cuz conditions have not
given the means to surpass it .
this is the end of something . these are the words ,
I’m serious , of serious people ,
awake unsustainably
Copyright © 2025 by Benjamin Krusling. Originally published in Poem-a-Day on February 18, 2025, by the Academy of American Poets.
“The title is from [Immanuel] Kant’s description of reason, and I want to pry what’s moving and plaintive about it apart from what’s world-ending. Not because I care about Kant but because, from the standpoint of reason, genocide can be justified. I had to transpose Ghostface, too, cuz I don’t sleep well and don’t relate to people who do, and Marvin Gaye, cuz wtf is going on. So it’s a poem of forceful and loving transpositions, made to sing in the service of negativity: people are dying who could be saved while our rulers, falsely solemn and openly vicious, scowl at life.”
—Benjamin Krusling