The Trees in Riverdale Park

Diagonal paths quadrisect a square acre

white as the page in February.

From the soil of this basic geometry

ash, elm, and maple flourish like understandings

whose bare logics are visible,

understandings the theorem has allowed.

Between roam bodies of the sensible world:

people, dogs, all those lovers

of the material and immaterial

illumined, as under working hypotheses,

by sodium bulbs whose costly inefficiencies

Los Angeles and Philadelphia have apparently

moved on from.

The trees are grand hotels closed for the season.

But belowground, social life is taking place.

As when snow lay on the fields

and people descended to rec rooms, secret bars

like the Snake Pit in the basement of the curling rink

in Golden Prairie. Our big Ford nosing the siding,

we waited for our parents with the engine running,

under grave instruction

as radio sent our autonomy bounding toward us,

chilling scenarios inspired by the trucking forecast

and news items from Great Falls or Bismarck

freely imagined, songs that gave us bad ideas

and the seeds of a mythology. Ten minutes,

then one hour, two,

pop and chips and the gift of the periphery.

I've never understood what “starlit” means.

Even on a clear night in their millions

they cast no discernible light

into the dark expanse where a farmhouse gestured weakly

and grid roads and bullshit caragana disappeared,

where the animals’ lives played out,

smells travelling slowly, low to the ground.

In Riverdale Park the diagonal walks like diagrams

may be said to describe themselves,

which is a relief.

Now snow is blowing through the theorem

that the understandings broadly accommodate

and sensible bodies adjust their collars to,

and even bare spots left by departed cars evidence

how the outlines of loss might gradually alter

as experience is filled in by its representation,

even if not made peace with.

Credit

Copyright © 2019 by Karen Solie. Originally published in Poem-a-Day on September 27, 2019, by the Academy of American Poets.

About this Poem

“I wrote the first notes toward ‘The Trees In Riverdale Park’ while sitting at the window of a house across the street from said park in Toronto, a house my friend had kindly offered to let me stay in while she was away. I was thinking about winter, about where I come from, about how writing experience through the language of memory is a kind of translation. You just try to get at the spirit of the thing.”

Karen Solie