from “Trading Riffs to Slay Monsters”

Last night, I visited a captivity story. 
I was sitting in a lean-to made of bark 
with Ella Ruth, both of us teenagers— 

her ebony skin, her black hair touching 
her tailbone. I looked at her hard, & 
she came back to sit beside the fire. 

From a slit in the rawhide doorway 
I could see my tribe in surgical masks, 
& as dogs began to howl I woke up.

Strange how the mind finds tenderness  
even in captivity. Or how amidst 
this being held in isolation we dream 

of masks. I see my ancestors, too,  
at the Carnival of Venice, a bouquet 
of myrrh, viper flesh, & honey 

in the plague doctor’s long beak— 
the face of death meant to ward off death. 
They look back through the silver mirror. 

Remember traveling to Siena, 
& we entered that semi-dark room? 
Those strange garments—the garb 

worn by a secret society of men— 
men who wore what we thought 
were pale KKK robes & masks. 

But they had cared for the contagious 
sick, & escorted them to the here 
& after, their faces always hidden. 

Yes, we descended the Ospedale’s 
winding stairs stories underground,  
through a long hall to a hidden room  

where a small medieval oil painting hung, 
the Confraternity of the Night Oratory
St. Catherine of Siena holds the brothers, 

their faces coved in hoods & white robes,  
under her cloak. They worked shifts  
on behalf of the many struck with plague. 

The hooded prisoners were led behind 
medieval-thick walls, into their tiny cells 
where solitary penitence was paid twenty- 

three hours a day. No one dared to speak 
at the Eastern State Penitentiary, eyes 
staring always at the cold stone floors. 

Beans, flourless bread, shad, lobster, 
corn, peppers, & a few grains of salt. 
Now, Al Capone had a rug & a radio. 

On a poor man’s cell block, uncle Gussie, 
who robbed a bank, spent years  
in the prison built like a wagon wheel. 

The low cell door forced him to bow  
when entering; the skylight above— 
the Eye of God—a reminder he was watched.  

When his mother died, two brothers,  
a priest & a cop, left sepia photographs  
of the funeral. Now, cats & ghosts roam. 

Lord, this big country. Land of plentitude 
ravaged, heart & gut torn out in the name 
of civilization & progress, & just plain old 

unsung unction, low-down skullduggery 
& theurgy. Nature ripped out by thew 
toned in old world prisons. Horsepower.    

Even with hard times here, hug the moon 
devastatingly close, & beat down the door 
with true love. Wherever you are, bless us. 

Yeah, we’ve both known a few in the joint,  
robbing Peter to pay Paul, or caught  
blowing time with this one or that one.  

Some excuse to keep rats on a wheel, or in a cage.  
Look, time moves at least twice at once now— 
back & forth, slow & fast. I held my palm 

 on my father’s back when he bent to whisper  
in the ear of the dead, & two men in black  
draped a white handkerchief over a face. 

Credit

Copyright © 2020 by Yusef Komunyakaa and Laren McClung. Originally published in Poem-a-Day on June 12, 2020, by the Academy of American Poets.

About this Poem

“At the start of the pandemic, I wrote nine lines (three tercets) and asked Laren to write a response in three tercets. This correspondence of improvisations has continued throughout this time and perhaps the poetic dialogue has been led by the sway of language, the movement of mind, and the nature of this unfolding moment.”
Yusef Komunyakaa and Laren McClung