“The Star Dial” appeared in McClure’s, vol. 30, no. 2 (December 1907). In “‘The Thing Not Named’: Willa Cather as a Lesbian Writer,” published in Signs, vol. 9, no. 4, (Summer 1984), Sharon O’Brien, adjunct faculty in creative writing at Dickinson College, argues that “[i]n Sappho, [Willa Cather] found a poet who celebrated the delights and agonies of love between women. Cather read Sappho during her college years and in 1907 wrote ‘The Star Dial,’ a poem revealing her identification with this literary and sexual foremother as she assumes Sappho’s voice [. . .]. Evidently Sappho’s poetry formed a bond between Cather and Louise [Pound], for Cather refers to her verse in one of [their] letters; understandably the two young women were drawn to this poet of ‘love and maidens’ where they found their own experience of romantic love mirrored.” Expanding on O’Brien’s argument in his book Sappho: ]fragments (Punctum Books, 2018), Jonathan Goldberg, former Arts and Sciences Distinguished Professor Emeritus of English at Emory University, writes, “Fragment 168B [in Eva-Maria Voigt’s edition of Sappho’s poetry] lies behind the poem: ‘Moon has set / and Pleiades: middle / night, the hour goes by, / alone I lie.’ In Cather’s poem, her speaker waits for a lover who never appears as a dawn arises that would, in any case, have necessitated their separation. Theirs is a secret love; although no gender is explicit, the fourth stanza of Cather’s light-drenched nocturne is particularly sapphic [. . .]. She burns to the end of the poem.”