On Seventh Avenue at Stop-Time
For Jean Toomer
rhythm’s a badge, beautiful &
mystifying, an inside joke. collapsing
bloodtypes with watery eyes,
couples blanch under this slow grind
this two-step, this islanded house
folks call marriage. moving slowly from
one room to the next; soul
a devastated dwelling caught
in some powerful 9th Ward of feeling.
like shadows that trick us,
caught in abjection’s swift traffic:
old cooking smells, disconcerting bells
fighting the slow wheels of the mind,
its hiss a record spinning, tonearm
a hunger confused with the ambling
gallop of the pinto horse. astride
the sound barrier, bones breaking
like time in a song, its signature
changing, a numbness, a de-
compensation, startling
as the angular blue house, dotted
with the slow, dark cattle call of cause
and effect. realms away a
distant battalion, kit heaped & bound,
propounds a modest physics while
in the immediate vicinity:
black so bright it’s yet to be divorced
from the blockbusters of twitch.
lives spent folding space; trains heading
to all galactic points South. blinded
by dust, what is news but the
mendacity of slavers singing the torch
song of the amnesiac, a sluggishness
of the tongue you’d
have to know to hear
Copyright © 2024 by Herman Beavers. Originally published in Poem-a-Day on February 12, 2024, by the Academy of American Poets.
“I’m a great fan of Jean Toomer’s Cane, hence the dedication (and the title of the poem serving as its opening phrase). The Washington, D.C., section of the book reflects Toomer’s deepening investments in 1920s experimental Modernism as a vehicle for exploring the precariousness and complexity of human relations across early twentieth-century urban landscapes. The poem’s phrasing provides a way to move nimbly through a series of ghost notes: Hurricane Katrina, westward expansion, World War I, physicists’ early preoccupation with the speed of light, and the growing popularity of recorded jazz, with the ultimate ghost note being the afterlife of slavery, which hangs over everything we see, hear, and know.”
—Herman Beavers