Self-Portrait as Combination Taco Bell / Pizza Hut / KFC
the unholy trinity of suburban late-night salvation
barring seemingly endless options of worship
bean burrito breadsticks and mashed potatoes
or a soft taco pan pizza and a buttered biscuit
an unimaginable combination of food flavors
for people not ready to go home to their parents
and yet none of the options feel quite right
so maybe I should call it Self-Portrait as idling
in a drive-thru with your friends crammed
across the sunken bench seats avoiding
the glow of the check engine light with black tape
pressed with a precision unseen anywhere else
in their lives as a fractured voice says don’t worry
take your time and order whenever you’re ready
from behind a menu backlit like the window
inside of a confessional booth as the hands
of the driver open up like a collection basket
for the wadded-up bills and loose change
that slowly stack up as the years go by
and I’m not sure what I’m supposed to be
in this analogy but I know about masking
warning signs and hearing out of tune
voices scream WE’RE THE KIDS WHO FEEL
LIKE DEAD ENDS so instead I’ll call it Self-
Portrait as From Under the Cork Tree
or maybe even Self-Portrait as whatever
album people listen to when they love
their friends and still want to feel connected
to the grass walls of a teenage wasteland
that they can’t help but run away from
Copyright © 2024 by Aaron Tyler Hand. Originally published in Poem-a-Day on April 22, 2024, by the Academy of American Poets.
“I love using poetry to capture the malaise of growing up in the suburbs. When you spend your life in a place that feels defined by its monotony, it’s hard to find a sense of personal identity that isn’t mass produced. In order to feel like you have any control over your life, you have to find the small rebellions that lead to a sense of belonging. That aimlessness and escapism is what I tried to capture in this poem.”
—Aaron Tyler Hand