Self-Portrait as the Changeling
after René Auberjonois
Wet, where all I had longed for
was the determined touch of softness. Wet,
I watched the solids come and go.
I counted feet, that ache
and echo of planets, became
the prosecutor and defense
of my own heart, that red-tailed escape
from the struggle to represent
the shapes required of love.
A rose bud, briefcase
or snarling mutt, pea soup,
blood blister—I knew hate most
not as these but in my
formlessness, poured into a coffee cup
my keeper mimicked to sip.
I could not honey my clay.
The shape of our star days,
a hum in the rookery of birds
I’d know, and never be.
And when I found my people—
when my people meddled
with me—they opened a hole
to home in the punch-clock
of deep space I was destined
to fall through.
Copyright © 2020 by Halee Kirkwood. Originally published in Poem-a-Day on November 9, 2020, by the Academy of American Poets.
“This is a persona poem in the voice of Odo, a character in the television series Star Trek: Deep Space Nine—an attempt at writing lyrical fan-fiction. I'm drawn to Odo, in particular to his loneliness. He can mimic the shape of just about anything, yet struggles to become an entity unto himself. That is, until he embraces the instability and surprise of his natal form—a sentient goo. When he finally finds the homeworld he longs for, he must reckon with his people's tyranny and hostility towards those he loves. His experience is legible to my own, concerning queerness and mixed-raceness, of a hometown that doesn't love you back and which you can't resist returning to.”
—Halee Kirkwood