Rapture: Lucus

Posters for the missing kapok tree appear on streetlights
offering a reward for its safe return. I hate to spoil it,

but the end of every biography is death. The end of a city
in the rainforest is a legend and a lost expedition. The end

of mythology is forgetfulness, placing gifts in the hole
where the worshipped tree should be. But my memory

lengthens with each ending. I know where to find the lost
mines of Muribeca and how to cross the Pacific on a raft

made of balsa. I know the tree wasn’t stolen. She woke from
her stillness some equatorial summer evening by a dream

of being chased by an amorous faun, which was a memory,
which reminded her that in another form she had legs

and didn’t need the anxious worship of people who thought
her body was a message. She is happier than the poem tattooed

on her back says she is, but sadder than the finches nesting
in her hair believe her to be. I am more or less content to be

near her in October storms, though I can’t stop thinking that
with the right love or humility or present of silk barrettes

and licorice she might become a myth again in my arms, ardent
wordless, needing someone to bear her away from the flood.
 

Credit

Copyright © 2014 by Traci Brimhall. Used with permission of the author. This poem appeared in Poem-a-Day on August 14, 2014.

About this Poem

“This poem is part of a series I’m working on that mythologizes the town in Brazil where my mother was born and raised. Mysterious and possibly miraculous things begin to occur there, and every resident has a different explanation. The speaker believes the reason for the miracles is a hamadryad nymph with a poem tattooed on her back who ran away rather than be worshipped.” 

—Traci Brimhall