Practice Standing Unleashed and Clean
Upon their arrival in America, more than twelve million immigrants were processed through the Ellis Island Immigration Center. Those who had traveled in second or third class were immediately given a thirty-second health inspection to determine if they were fit to enter their new country. A chalk checkmark on their clothing signaled a health problem and meant a stay in the Ellis Island Immigrant Hospital, where they either recovered or, if deemed incurable, were kept until they could be sent back home. Even if just one family member was sick, that person’s entire family was turned away.
Hide the awkward jolt of jawline, the fluttering eye, that wide
brazen slash of boat-burned skin. Count each breath in order
to pacify the bloodless roiling just beneath the rib, to squelch
the mushrooming boom of tumor. Give fever another name.
I open my mouth, just to moan, but instead cluttered nouns,
so unAmerican, spew from my throat and become steam
in the room. That heat ripples through the meandering queue
of souls and someone who was once my uncle grows dizzy
with not looking at me. I am asked to temporarily unbutton
the clawing children from my heavy skirt, to pull the rough
linen blouse over my head and through my thick salted hair.
A last shelter thuds hard, pools around my feet on the floor.
I traveled with a whole chattering country’s restless mass
weakening my shoulders. But I offer it as both yesterday
and muscle. I come to you America, scrubbed almost clean,
but infected with memory and the bellow of broiling spices
in a long-ago kitchen. I come with a sickness insistent upon
root in my body, a sickness that may just be a frantic twist
from one life’s air to another. I ask for nothing but a home
with windows of circled arms, for a warm that overwhelms
the tangled sounds that say my name. I ask for the beaten
woman with her torch uplifted to find me here and loose
my new face of venom and virus. I have practiced standing
unleashed and clean. I have practiced the words I know.
So I pray this new country receive me, stark naked now,
forearms chapped raw, although I am ill in underneath ways.
I know that I am freakish, wildly fragrant, curious land. I stink
of seawater and the oversea moonwash I conjured to restart
and restart my migrant heart. All I can be is here, stretched
between solace and surrender, terrified of the dusty mark
that identifies me as poison in every one of the wrong ways.
I could perish here on the edge of everything. Or the chalk
mark could be a wing on my breastbone, unleashing me
in the direction of light. Someone will help me find my clothes
and brush the salt from my hair. I am marked perfect, and
I hear the word heal in a voice I thought I brought from home.
Copyright © 2016 by Patricia Smith. This poem was commissioned by the Academy of American Poets and funded by a National Endowment for the Arts Imagine Your Parks grant.
“I constantly insist that my students search for the pictures they’re not seeing, the voices they’re not hearing. And I’m endlessly fascinated by the lost-ago voices that inhabit dusty, deserted structures such as the Immigrant Hospital on the south side of Ellis Island. I imagine the newly arrived immigrants, numbed and weary, confronted by confounding medical equipment and mysterious tests that could decide their future in the United States. This poem conjures one woman in line for her examination, trying desperately to suppress everything that was “other” about her, not knowing if her features, unfamiliar way of speaking or even the faint spell of a foreign spice in her clothing would be considered symptoms of “sickness.’”
—Patricia Smith