Poem from Hölderlin
As from dark orchard leaves, from quiet scripts where each shape sends its tendril reaching— circle and line, the swaddled bud, the petiole sprung, an envelope tendered. By a window, the infant turns, rooting toward the breast, sun-lit, the mother humming. (Those far things, sources of power and regret, cliffs and waves, continue at a distance.) Here you’ll find a name scrawled in the bark— last words, left to chance and strangers. There, the black ant, burdened by a crumb, and the weight of her lacquered armor, crossing—climbing, switching, doubling back—gnarl and crevice and cul de sac. Pinch-waisted, driven on, and trembling, does she have a notion of her own, or is it only species memory—so fearless, so abstract? because it is winter everywhere, I spin my cocoon I dig my heart a grave Indifferent, a blossom drifting, the knob swelling, the leaf turned to shadow: filigree, smudged. The petiole now brittle in the first cold nights. The burden, relieved, weighs all the more from the guilt of its release. Too light, too light, like a sudden waking, the sun in your eyes: you cannot see for it. How long will we live in this leaf-strewn place, thinking we belong to the sky?
Credit
Copyright © 2017 by Susan Stewart. Originally published in Poem-a-Day on December 22, 2017, by the Academy of American Poets.
About this Poem
“I wrote this poem as an homage to the writing of Friedrich Hölderlin (1770–1843), the German Romantic poet who was himself obsessed with the legacy of ancient Greece. Yet Hölderlin also looked to the seasons, the earth, the daylight, the constellations, the rivers and mountains of his immediate world, as a way of anchoring whatever reality he could find. I built my poem around two quotes from his work: the first, ‘As from dark orchard leaves, from quiet scripts,’ comes from one of his great late odes, ‘An die Deutschen’ [To the Germans]. The second comes from Hölderlin’s epistolary novel, Hyperion, from a letter by Hyperion to his friend Bellarmin: ‘I dig my heart a grave so that it may rest; I spin a cocoon around myself because it is winter everywhere; I wrap myself up in blissful memories against the storm.’ Hölderlin’s misery, like that of so many of the Romantics, was tied to his desire for transcendence. Even so, in the earthly world around him the ‘quiet scripts’ continued, and continue.”
—Susan Stewart
Date Published
12/22/2017