This Page Ripped Out and Rolled into a Ball
A rose by any other name could be Miguel or Tiffany Could be David or Vashti Why not Aya which means beautiful flower but also verse and miracle and a bird that flies away quickly You see where this is going That is you could look at a rose and call it You See Where This Is Going or I Knew This Would Happen or even Why Wasn’t I Told I'm told of a man who does portraits for money on the beach He paints them with one arm the other he left behind in a war and so he tucks a rose into his cuff always yellow and people stare at it pinned to his shoulder while he works Call the rose Panos because I think that's his name or call it A Chair By The Sea Point from the window to the garden and say Look a bed of Painter’s Hands And this is a good place to remember the rose already has many names because language is old and can't agree with itself In Albania you say Trëndafil In Somalia say Kacay In American poetry it's the flower you must never name And now you see where this is going out the window across water to a rose shaped island that can't exist but you’re counting on to be there unmapped unmentioned till now The green place you imagine hiding when the world finds out you're not who you've said
Credit
Copyright © 2018 by Brendan Constantine. Originally published in Poem-a-Day on January 25, 2018, by the Academy of American Poets.
About this Poem
“When I first began to write, I was fortunate enough to be surrounded by some very tall trees, mentors who kept me honest. I remember one telling me that the controversies (in poetry) would go by like buses. ‘You can get on one now or wait fifteen minutes; there’ll be another one past.’ And, indeed, great debates have come and gone and come again: the page versus the stage, irony pro and con, should the poet use I, and, of course, are there just too many roses? If you ask me, they’re all just distractions, battles for no turf. And the rose knows nothing of poetry.”
—Brendan Constantine
Date Published
01/25/2018