In Our Late Empire, Love
drops from upper air,
like rain,
clinging brightly
to the fresh-cut hair
of children
and the infantry:
all hail
the clicking heel, all will
regale
the shrinking light
with grains
of wedding rice, of salt,
of sands as fit
a last brassy parade:
the marching band
will soften
with its growing-distant
drum,
the oscillating hand
will stop
its waving
soon enough, soon
enough;
here now, the motorcade
hums
gaily through the citizens’
applause
and the children’s eyes
bronze faintly
with the glint
of far-off fireworks,
or firebombs,
or falling evening stars.
Copyright © 2014 by Malachi Black. Used with permission of the author.
“‘In Our Late Empire, Love’ emerged from a curious sense of living in the political equivalent of Keats’s ‘posthumous existence’—a post-apex, late-imperial America—and I became interested in the idea of a domestic analogue to the ‘letter from the field.’ Recent events at home and abroad were of influence as well.”
—Malachi Black