Ota Benga at Edenkraal

Maybe it was hog-killing time
     when he arrived in Lynchburg,
       Virginia, several lifetimes behind him,

the old smell of the monkey house
     at the New York Zoological Gardens
       receding, a broken memory left.

Not sure of the paths & turns
     taken, woozy in a swarm of hues,
       he stood in Anne Spencer’s garden
      
surrounding the clapboard house,
   but when she spoke he came back
     to himself. The poet had juba

in her voice, & never called him
     Artiba, Bengal, Autobank, or
       Otto Bingo. Her beds of tiger

lilies, sweet peas, & snapdragons
     disarmed him. Her fine drawl
        summoned rivers, trees, & boats,

in a distant land, & he could hear
     a drum underneath these voices
       near the forest. He never spoke

of the St. Louis World’s Fair
     or the Bronx Zoo. The boys
       crowded around him for stories

about the Congo, & he told them
     about hunting “big, big” elephants,
       & then showed them the secret

of stealing honey from the bees
     with bare hands, how to spear fish
        & snare the brown mourning dove.

One night he sat in the hayloft,
      singing, “I believe I’ll go home.
        Lordy, won’t you help me?”

A hoot owl called to the moon
     hemmed in a blackberry thicket,
       & he bowed to the shine of the gun. 

Credit

Copyright © 2016 by Yusef Komunyakaa. Originally published in Poem-a-Day on April 8, 2016, by the Academy of American Poets.

About this Poem

“Over a decade ago, the poet Carrie Allen McCray told me that, as a child, she had known Ota Benga—the Congolese man and Mbuti Pygmy who had been exhibited as an oddity in a ‘human zoo’ exhibition in New York City. Ota Benga had lived with McCray’s mother in Lynchburg, Virginia. Later I learned that he had also known and trusted the poet Anne Spencer, and there the poem began in my psyche.”
—Yusef Komunyakaa