It’s not the wind I hear driving south
 
through the Catskills—it’s just bad news from the radio
 
and then a hailstorm morphs into sunlight
 
—look up and there’s—
an archipelago of starlings trailing some clouds—
 
But how does the wind come through you
primordial hollow—unflattened double reed—
 
so even now when bad news comes with the evening report—
I can press a button on the dashboard and hear your breath implode
 
the way wind blows through the slit windows of a church in Dilijan,
 
then a space in my head fills with a sound that rises from red clay dust roads
and slides through your raspy apricot wood—
 
Hiss of tires, wet tarmac, stray white lines
night coming like wet dissolve to pixilation—
 
Praise to the glottal stop of every hoarse whisper, every sodden tree
which speaks through your hollow carved wood—
 
so we can hear the air flow over starlings rising and dipping as
       	the mountains glaze the sun—
 
so we can hear the bad news kiss the wind through your whetted reed—