Minotaur
after Carl Phillips
The best part,
how we make to
part the beast
from its self.
Take the bull
(whose head it’s got.
Now, conjure you—
the offal, bovine throat,
a veiny tract meant
for an alfalfa pasture,
clover, sundry grasses
soon to cud; or
a garden got at: trampled
angel’s breath, marigold,
daisy, rose, chomped down,
also, though, grown, only,
it seems, to prune to mean
a human being
what humans are—
and there: a tendril
coils from your skull,
then petals split
the temple, come
to bloom. See, how
now the bull face,
stricken, blinks),
finding a way,
reeling, through new
bewildering appetites.
Copyright © 2023 by Douglas Kearney. Originally published in Poem-a-Day on August 18, 2023, by the Academy of American Poets.
“I have long admired the sinuousness of Carl Phillips’s sentences and have an affinity for his engagement with the literature and mythology of Greece’s antiquity. When I was six, the labyrinth-dwelling Minotaur was one of the first unique monsters I could name, so he’s haunted my mind for a while now. Once, I thought I would write a series of poems using mythical animals as anchors. Though I sort of abandoned that idea, ‘Minotaur’ is my favorite of them. It allows me to wrestle with the idea of figurative language, a poetic tool about which I have some ambivalence.”
—Douglas Kearney