Minotaur

after Carl Phillips

The best part,
how we make to
part the beast
from its self. 

Take the bull  
(whose head it’s got. 
Now, conjure you—
the offal, bovine throat,
a veiny tract meant
for an alfalfa pasture,
clover, sundry grasses
soon to cud; or 

a garden got at: trampled 
angel’s breath, marigold, 
            daisy, rose, chomped down,
            also, though, grown, only,
            it seems, to prune to mean 
            a human being 
what humans are—

and there: a tendril 
coils from your skull,
then petals split 
the temple, come 
to bloom. See, how 
now the bull face, 
stricken, blinks), 
finding a way, 
reeling, through new 
bewildering appetites.

Credit

Copyright © 2023 by Douglas Kearney. Originally published in Poem-a-Day on August 18, 2023, by the Academy of American Poets. 

About this Poem

“I have long admired the sinuousness of Carl Phillips’s sentences and have an affinity for his engagement with the literature and mythology of Greece’s antiquity. When I was six, the labyrinth-dwelling Minotaur was one of the first unique monsters I could name, so he’s haunted my mind for a while now. Once, I thought I would write a series of poems using mythical animals as anchors. Though I sort of abandoned that idea, ‘Minotaur’ is my favorite of them. It allows me to wrestle with the idea of figurative language, a poetic tool about which I have some ambivalence.”
—Douglas Kearney