I repeat “dead” aloud enough times for its meaning to loosen 

from sense. Once the word I repeat is no longer comprehensible, 

it begins to attack everything else I know.

Giorgio Agamben says devastation is one face of a Genius 

that exists inside us. The other face is creation.

The two sounds that begin and end “dead” echo in my ears. 

Then a third appears between them. The middle sound, between 

the coronal plosives of the letter d, is the ghost.

Agamben tells us that the Genius is within us only as long if 

we realize it does not belong to us. Just as existence does not.

Now I begin to voice only the ghost, and watch it ‘not appear.’

Is the narrow space between my Genius’s two faces 

where that ghost lives? When I listen for what will not appear, 

I hear my own voicelessness amplify. 

My hearing is most acute when I’m naked 

in front of the bedroom mirror.

I want voicelessness to create an echoing hollow 

inside every word I type.

I feel how listening to find disappearances makes my nipples erect. 

Disappearance is my new self-seduction.