Louis Armstrong Plays for His Wife in Giza, 1961
The sphinx is not drowsy.
Its ear heavy with brass
that echoes off its half-broken face.
The sphinx thinks this is its coronation
that this must be the final blast
written in the books of old.
It now wishes to rise
from this stony couch,
but Louis said he’d play for her anywhere.
He played for her in front of the sphinx
in the shadow of a pyramid, sweat
trickling down his bow-tied body.
This is what the poet says:
Forget the sphinx and its riddles
this is what love sounds like in Giza.
this is what man will do to please her.
Its ear heavy with brass
that echoes off its half-broken face.
The sphinx thinks this is its coronation
that this must be the final blast
written in the books of old.
It now wishes to rise
from this stony couch,
but Louis said he’d play for her anywhere.
He played for her in front of the sphinx
in the shadow of a pyramid, sweat
trickling down his bow-tied body.
This is what the poet says:
Forget the sphinx and its riddles
this is what love sounds like in Giza.
this is what man will do to please her.
Credit
Copyright © 2015 by Jennifer Bartell Boykin. This poem appeared in museum americana, Issue 8, 2015. Used with permission of the author.
Author
Jennifer Bartell Boykin
Jennifer Bartell Boykin was born and raised in Bluefield, a community in Johnsonville, South Carolina. She received a BA in English literature and creative writing from Agnes Scott College and an MFA in poetry from the University of South Carolina. She also has a master of library and information science from the University of South Carolina.
Date Published
02/01/2015