Little Apophat
Your child is a little lion cub
ready to tear into
a hunk of antelope is
a fuse bursting into
electric sprays of light
is trouble, you
say, like me. Has
your eyes though, pale
as the eggs of quail.
Yes. And also, shouting
No! as I reach for her balled fist
I wonder if she is
our negative capability.
Dare I say she’s beautiful
or that seeing another photo
I feel inexplicably like a father
though I am nothing other
than an ex-girlfriend
falling in and out of touch?
I like to study
her features exactly,
but all her small perfect shadows.
Her sleeves like swallow’s wings,
the oblong ring she casts
moving down a slide,
some latent echo inside you
now there of me, some remnant
of the night we longed to
against the drum of a water tower,
but did it instead again and again
on a bed too small for one.
Would it stretch wonder
if all our immaterial actions
could sire the ambition that ignites
when we let a child sit
too long with her own design,
let her stack blocks
one cube at a time, sturdy as
a well-pointed chimney
or a giraffe’s dorsal spine
or a tower of solid cheerleaders
kneeling into sweaty backs and thighs,
until the pyramid’s gotten too high
and without warning
all the bodies tumble down,
laughing.
*
Little Nothing,
dare I tell you
what your mother and I made?
Firsts and fights
that left the kitchen
whitened by a fine silt of flour
and bras twisted into
the untidy nests of lyrebirds
and closety love
at the drunken end of straight parties,
in cemeteries
and in shower stalls.
Without sheet music
we were prodigious,
learning by ear and mouth
how to produce
each vocal score,
and when we were done
and we felt like making more,
we made it. And we made
sweet, fast nothings
with other people, too.
Little Apophat,
I could tell you stories of
scientific miracles,
late ovulation in garter snakes,
the courting rituals of macaques
playing hide and seek
behind tree trunks,
how when seals stay out to sea
months after mating
biologists call all that waiting
suspended animation.
Which is to say that
making you took time.
From In Full Velvet. Copyright © 2017 by Jenny Johnson. Used by permission of The Permissions Company, Inc., on behalf of Sarabande Books, www.sarabande.org.