Learn Your Song
I survived. That’s all there is to say
about the trampling. A forest or
some grand ecosystem of
machetes hidden in cheeks.
What a mouth. The beast of the beast.
Everything I am can kill me
or give another reason to operate
from uneducated fear. I’m from
where love is. Bones don’t weigh a death.
I need to have a word with all the gods
that failed me. They wear masks and
vernacular like those whose caskets I’ve prayed next to.
They feed me pitted pomegranates full of smoke. There are
no angels. Just good people and the memories they become.
Press your wrists to your ears. Slow the world down.
Leave hope and learn your song. All I have are
my lungs to breathe, my mouth to speak, my legs to
proceed and my arms to make my enemies fall.
All enemies I’ve been, fall, now. I will not hurt myself but
I will save myself even if it hurts. My body is learning
to heal and runs on tactical forgiveness. The ones who
lied to me, about me, on me have been forgiven
how the wind forgives the large blade swung through it.
How the blade forgives itself for being mishandled and
chooses only to understand those who need weapons
to feel bigger than their own body. An overwhelming
space. I burn and there is no smoke. I excavate,
I’m wrestling skeletons out of my mouth.
I’m catching up with who I want to be.
I’m saying day after day, I live
the harder it will be to kill me.
Copyright © 2025 by Gabriel Ramirez. Originally published in Poem-a-Day on April 25, 2025, by the Academy of American Poets.
“How could text from three thousand and five hundred years ago reinvigorate my will to live and heal? The ninth couplet borrows ‘my mouth to speak, my legs to proceed, my arms to make my enemies fall,’ from a translation of the Book of the Dead of the Goldworker of Amun, Sobekmose at the Brooklyn Museum. Poems, language, and prayer have a magical way of finding us when we need them most. James Baldwin wrote, ‘[P]eople [italics mine] who cannot suffer can never grow up, can never discover who they are.’”
—Gabriel Ramirez