As a Kid I Was Told, “Don’t Step on a Crack or You’ll Break Your Momma’s Back”
& for years i skipped over crevices. avoided the cracks
split by the ancient roots of trees. my young self treated
each break in the earth like a cliff echoing my mother’s
name—why give a child the responsibility to keep a mother whole—& i
recall how my mother broke the bridge of her body four
times bringing four daughters into the world. our dimple &
babble cries becoming the joy to rebuild herself, holding the
weight of breast milk, overtime at the mercado, hunger that
spoke to her through tantrums. now in my thirties
i reminisce about saddle shoes, the ones i wore in catholic
school where sister lilia a white nun in black veil once said
to a class full of brown girls that birth was beautiful her
only proof were outdated diagrams of women’s insides
becoming newly fledged mothers, images of women with
mannequin stares when a child spilled out of them. how
sister lilia spared us the ache of truth & jumped straight
to claiming this miracle, miraculous like the movies with
actresses with their fake swollen stomachs & almost perfect
hair & damp skin & pretend husbands holding video cameras
feeding their wives ice chips. i say this to say, i want to make
room for the real work, to celebrate the overworked muscle,
the stretch marks like the ridges of dried grapes the effort it
takes to make sweet fruit, to honor the blood that leaves &
the blood that stays never aftermath of flesh but a mosaic in
what it means to have a light escape from inside you &
watch it become its own kind of living.
Copyright © 2025 by Karla Cordero. Originally published in Poem-a-Day on April 30, 2025, by the Academy of American Poets.
“As a kid, I was taught a sanitized version of what to expect during and after pregnancy. In the past five years, I’ve witnessed my sisters become pregnant, a journey that carried many emotional and physical challenges. I want this poem to celebrate the true and honest labor, sacrifice, and resilience in the miracle of bearing children.”
—Karla Cordero