ghost ranch
once again i’ve brought my dead dog to the party.
not the box of ashes, but the pen-drawn sketch
my friend lenny made six days after she died.
or five. i saw it coming, the way mimsy went.
the hard part was saying it, so i wrote it down:
something small i love is leaving me.
now it’s late morning in abiquiu & i’m alone
in the courtyard, rolling around on the flagstone
breathing, a drawing of mimsy in the shade,
a mug cooling at her side. i said i don’t drink coffee
or need a week to myself but look at me now, trying
not to lie. so i listen: a shrill of pinyon jays
in a juniper trills me from ghost to cobalt sky. all winter
i didn’t see them, not a single thrill of murmuration
& though it’s a hideous sound—a jay’s call, like a
small computer dying slow—to live, to move like that:
seven siblings at my side, six at each of theirs, my god!
not thinking where’s the threat but being
more than one, not less than any . . .
the nearly-noon shadows recede & soon
mimsy’s in full sun, where i leave her, the light
too bright to stay, the shrill too clear. i say yes,
i’ve seen a rock wren & no, that is a fishless osprey circling
the steppe & tomorrow i might make a cairn of quartz
just to knock it down, slip a stone into my pocket,
put nine postcards in the mail, or begin another poem
for lenny i’ll try to finish when i’m home—
you had a friend once.
now she’s different.
we remember what we need.
Copyright © 2026 by Kristin Lueke. Originally published in Poem-a-Day on August 27, 2026, by the Academy of American Poets.
“This poem, written in the shadow of Chimney Rock in Abiquiu, New Mexico, explores how we carry loss with us into new spaces and places, and how nature, in its brutality and beauty, can shake us back into our bodies and the present moment. It’s about learning to hold loss up to the light in order to let it go, to keep living and loving in whatever small ways we can.”
—Kristin Lueke