Ghazal: Sea

with a final couplet by e. e. cummings

As Karen Blixen said, the cure’s the sea
—or sweat, or tears—but I prefer the sea.

In fact, it’s homeopathy. Why cry
with eyes baptised (if reddened) by the sea?

The metaphors of fabric come to mind:
cool silk or aqua velvet, summer sea

            (or better, come to body: intimate,
            enveloped skin on skin, the lover sea).

The bone-ache deep, the pains gone unexplained:
for now just dive, ameliorator sea.

The “mermaid’s tears,” smoothed glass or plastic: lovely
but hazardous to creatures of the sea.

This evening’s rough: Poseidon snaps my straps.
Pathetic fallacy, bipolar sea.

And in their one-piece suits, the ladies age
and silver, laugh and rage: September sea.

For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea.

Credit

Copyright © 2025 by Moira Egan. Originally published in Poem-a-Day on March 5, 2025, by the Academy of American Poets.

About this Poem

“I wrote this poem in the late summer of 2020 when we were finally released from the harshest restrictions of lockdown. How freeing, splashing around in the Sardinian waters, plunging into that salubrious sea. The sense impressions: the colors, the temperature, the beautifully imperfect bodies on the beach, the warm, silky water. This poem found itself as a ghazal—the form’s repetition embodying that sense of immersion, of luxuriating in the element. And in the final, celebratory couplet by our maestro of the senses, e. e. cummings: wasn’t that nice of him to sign the poem for me with my initials?” 
—Moira Egan