Gaza I

Sitting deeply in grief,  
in deep grief and mourning  
morning and night.

The knights nowhere  
to be seen. Sight  
is a witness, complicit. 

From minarets and church pits,  
we illicit faith. The eve  
of Christ’s birth 

almost here. Hear the Earth  
as it receives the body’s  
soft and exposed tissues, the heart 

hard as a rock, the rock no longer 
figurative. We lost even  
the figures of our children. The outline 

of a body, jagged front line,  
bulldozed memory. Our eyes open  
to the mouth of a weapon. 

Someone, somewhere, is playing  
the violin in the background  
of violence.

Before all of this, we didn’t think    
too often of heaven. We wanted to fly  
through clouds, not above them. 

Credit

Copyright © 2025 by Sara Abou Rashed. Originally published in Poem-a-Day on December 30, 2025, by the Academy of American Poets. 

About this Poem

“This poem came to me in the fall of 2023, when I was especially feeling the failure of all language to adequately describe what’s happening in Gaza. I turned to the sensory experience instead—the parts, the body, the fragments, the outlines—and searched for auditory resonance of the written word against lived or heard sounds. In the face of big, looming violence, the only way I could even capture a small scale of it or enter it was to zoom in, calling attention to the most intimate yet jarring moments, and letting them linger between letters in a chain of sorts, where one word led to the next, and the next, and the next …” 
—Sara Abou Rashed