a force is a push or a pull (5.8 million puerto ricans in america)
inside us, the past, present, and future
happening at once, we are found this way,
together, a people spliced by empire, but it’s
not a gift to not be alone in our detailed misery,
though i find the song familiar, enraptured by
the notes swimming out our mouths, the little
heart of our language, the shapes of our eyes,
still, i found sadness as a physical law, mingling
with the gravity, each cell being called to the
center of something spinning, denser than me,
larger than me, older than me, the planet, like
my body, can’t stop moving, the crust divided
to plates, swimming belly to belly atop the
molten mantle, splitting, sliding, and crashing,
this is how land is formed, this is how land is
destroyed, the work of eras, sometimes there is
a hole, deep below the ocean, where the
magma escapes to cool at the sky, this is how
islands are formed, the cane watching bomba
begin on the plantation, it was a language, the
bright slaughtering of the goat, it’s dark spine
stretched over the barril, it was a language, the
dancers bodies speaking to the drummers, a
song about leaving, a song about sickness, a
song about the hunger of touch, the seeds in
the maraca, the hunched back of the cua player
knocking the rhythm to the wood, it was a
language, millions of our bodies in motion, my
body, wilting like the wind-touched crops,
watching a little girl, round and missing baby
teeth, dancing bomba in humboldt park, you
could have been there too, rolling your shoulders,
the drummers and their hands of water, rolling
atop the tight animal skin, summoning the
sound to match your feet finding the earth,
your feet, the earth, the emptiness of my hands
Copyright © 2023 by Giovannai Rosa. Originally published in Poem-a-Day on October 4, 2023, by the Academy of American Poets.
“Ivelisse Diaz has talked about Bomba being a space that is always alive. Bomba is Black music of resistance, of history, of storytelling, and, inextricably, of Puerto Rico. It is medicine, an energy that has been used to heal, inspire, weep; to conjure joy, community, relief; and used as a means to help guide enslaved people to their escape. I wrote this working to capture the living entity of Bomba briefly into a poem, to capture us, time, the islands, sadness, Chicago, our planet, our loss, our migration, our movement, and that space in the future where we are all alive, witnessing each other, filled with dance and music.”
—Giovannai Rosa